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Pearls from artists* # 487

With “Sentinels,” soft pastel on sandpaper, 38” x 58” image, 50” x 70” framed
With “Sentinels,” soft pastel on sandpaper, 38” x 58” image, 50” x 70” framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The sheer variety of aesthetic theories may be the best evidence we have that art cannot be boiled down to a single use, and even that it eludes usefulness altogether. In fact, one of the reasons art affects us so deeply is that it calls us out of the means-and-ends thinking that has us reducing everything to a function. Oscar Wilde’s infamous statement, “All art is quite useless,” was more than a pithy remark aimed at ruffling Victorian feathers; as far as he was concerned, it was a plain statement of fact. For the Aesthetic Movement of which Wilde was a leading exponent, art stood in absolute defiance of utility. Which is to say that the Aesthetes saw works of art as things whose only purpose is it be perceived – and this may be as close to a catch-all definition as we are likely to get.

JF Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action

Comments are welcome!

Pearls from artists* # 388

Barbara’a studio

Barbara’a studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

… the artist’s nature, that wild nature to which so many powers are entrusted, and which all too often abuses them, leading cold reason, the bourgeois public, and even some connoisseurs down a myriad barren paths, precisely where the capricious white-winged sprite discovers castles, epics, works of art!  A nature sometimes mocking, sometimes kind, at once fertile and desolate! 

Honore Balzac in The Unknown Masterpiece

Comments are welcome!

Q: Do you work with a particular audience in mind?

"Shamanic," 26" x 20," finished

“Shamanic,” 26″ x 20,” finished

A:  In general I would answer no, I have no ‘specific’ audience in mind.  But I DO consider the audience in this sense.  As I put finishing touches on a pastel painting, I pay attention to how all of my decisions up to that point lead  the viewer’s eyes around.  I fine tune – brightening some areas, heightening the contrast with what’s next to it, blurring, fading, and pushing back others – all to keep the viewer’s gaze moving around the painting.  Once I am satisfied that it’s as visually exciting as I can make it, I consider the pastel painting finished, ready to be photographed, and driven to Virginia for framing.

Comments are welcome!    

Q: At the end of last Saturday’s (September 28th) post you mentioned something called, “Esala Perahera.” What is that?

Waiting for the Perahera to start, Kandy, Sri Lanka

Waiting for the Perahera to start, Kandy, Sri Lanka

Mending an elephant's headdress, Kandy, Sri Lanka

Mending an elephant’s headdress, Kandy, Sri Lanka

Preparations - planning what to do in case an elephant charges

Preparations – planning what to do in case an elephant charges

Flame throwers watching a man balancing on one stilt

Flame throwers watching a man balancing on one stilt

First elephant in the procession

First elephant in the procession

Drummers, Kandy, Sri Lanka

Drummers, Kandy, Sri Lanka

Three elephants, Kandy, Sri Lanka

Three elephants, Kandy, Sri Lanka

A single "tusker," Kandy, Sri Lanka

A single “tusker,” Kandy, Sri Lanka

Esala Perahera, Kandy, Sri Lanka

Esala Perahera, Kandy, Sri Lanka

After the festival

After the festival

A:  My trip to Sri Lanka was timed so that I could observe it first hand.  Here is a description from the “Insight Guide to Sri Lanka:”

The lunar month of Esala is a month for festivals and peraheras all around the island.  Easily the finest and the most famous is the Esala Perahera held at Kandy over the ten days leading up to the Esala Poya (full moon) day (late July or early August).  The festival dates back to ancient Anuradhapura, when the Tooth Relic (of the Buddha) was taken through the city in procession, and the pattern continues to this day, with the relic carried at the head of an enormous procession which winds its way round and round the city by night.  The perahera becomes gradually longer and more lavish over the 10 days of the festival, until by the final night it has swollen to include a cast of hundreds of elephants and thousands of dancers, drummers, fire-eaters, acrobats, and many others – an extraordinary sight without parallel anywhere else in Sri Lanka, if not the whole of Asia.

I would go further and add that the Esala Perahera is one of the world’s great festivals.  Who could ever imagine such a spectacle?  It may be a cliché to say it, but travel is ultimately the best education. 

Comments are welcome!   

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