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Pearls from artists* # 407

"Survivors," soft pastel on sandpaper, 20" x 26" image, 28 1/2" x 35" framed

“Survivors,” soft pastel on sandpaper, 20″ x 26″ image, 28 1/2″ x 35″ framed

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

In the images [the paintings of the Chauvet cave in southern  France] this prehistoric people have bequeathed to us, we get a glimpse of something like a shared humanity, but we also gaze into a stranger part of ourselves, something reaching to the depths.  Since we do not know the context in which the paintings were made, we cannot in good faith chalk them up to some clear pragmatic end.  We are seeing art in its naked state, deprived of any discernible appropriation.  This can trouble our secular sensibilities since it confronts us not just with the mysteries of nature, but more strikingly still with the riddle of the presence of such things as us in the otherwise coherent physical world.  Given the fact that the molecular chemistry that makes life possible is the same throughout the cosmos, would finding works of art on Mars or a remote planet be any more uncanny than finding them here on Earth?      

F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action

Comments are welcome!

Pearls from artists* # 325

"Myth Meets Dream," soft pastel on sandpaper, 47" x 38"

“Myth Meets Dream,” soft pastel on sandpaper, 47″ x 38″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Homo sapiens is the animal that means something, or that desperately wants to mean something.  Undoubtedly our thirst for meaning has a lot to do with our petrifying awareness of death, itself a side effect of the imagination, and one that makes our unique position as much of a curse as it is a gift.

As the prime fruit of the imagination, art is the incontrovertible sign of humanity’s presence on earth.  But what constitutes the human itself?  The prehistoric paintings at Chauvet confront us with a dimension of ourselves that, though familiar in ways, remains in many respects unknown and may ultimately be unknowable.  Human consciousness has access to a powerful otherworld, the place of dreams and myth, poetry and lunacy.  [This is]… the “imaginal,” the name Henry Corbin gave to the intermediate realm, central to the inscrutable mind of God.  As a concrete manifestation of this imaginal realm in the public sphere, art calls us back to the source as a matter of course.      

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

Comments are welcome!

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