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Pearls from artists* # 378

With “Poseur,” Soft Pastel on Sandpaper, 70” x 50,” 2019

With “Poseur,” Soft Pastel on Sandpaper, 70” x 50,” 2019

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

[John] Graham told Lee [Krasner] and Jackson [Pollock] they were at the most wonderful part of their artistic journey because they were unknown and therefore free, and that there was only one thing they had to dread:  fame.

 How many men of great talent on their way to remarkable achievement in the present day are ruthlessly destroyed by critics, dealers, and public while mediocre, insensitive hacks, who by intrigue and industrious commercial effort have gained recognition and success, will go down in history with their inane creations.  Success, fame, and greatness coincide very seldom.  The great are not recognized during their life-time… Poe, Van Gogh,Rembrandt, Cezanne, Gauguin, Modigliani, Pushkin, Rimbaud, Baudelaire, and others could not make even a miserable living out of their art.

 As Graham described it, true art could never be of the world because it was always steps, decades, light-years ahead of it.  Artists, therefore, had no need to be part of the world, either.  Their only duty was to persevere.  Humanity, he said, depended on it.

Mary Gabriel in Ninth Street Women

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Pearls from artists* # 147

Alexandria, Virginia living room

Alexandria, Virginia living room

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I am working, every day… on new photographs.  This body of work, family pictures, is beginning to take on a life of its own.  Seldom, but memorably, there are times when my vision, even my hand, seems guided by, well, let’s say a muse.  There is at that time an almost mystical rightness about the image:  about the way the light is enfolding, the way the [kids’] eyes have taken on an almost frightening intensity, the way there is a sudden, almost outer-space-like, quiet.

These moments nurture me through the reemergence into the quotidian… through the bill paying and the laundry and the shopping for soccer shoes, although I am finding that I am becoming increasingly distant, like I am somehow living full time in those moments.  

Sally Mann in Hold Still:  A Memoir with Photographs

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Pearls from artists* # 41

White Sands, NM

White Sands, NM

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

If you look at the work of an artist over a lifetime there is always transformation.  Some hit a lively place early and then seem to lose it later.  Others find that place progressively throughout their life; others still, find it late.  But regardless, they are all learning to isolate the poetic place within them.  That focus on the poetic in our own work increases our appreciation of the beauty around us, increases our growth, and increases our divine connection.

One thing you see in many artists’ work is that as they continue over the decades to translate their experience of the poetic into form, they learn to communicate better.  They strip away all the extraneous stuff and artistic baggage they had.  They say more with less.

The problem is seldom that what we truly, deeply experience is too simple to simplify.  There is power in stripping everyhing away to reveal the vision.  That’s what takes a lifetime.

Ian Roberts in Creative Authenticity:  16 Principles to Clarify and Deepen Your Artistic Vision

Comments are welcome!

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