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Pearls from artists* # 378

With “Poseur,” Soft Pastel on Sandpaper, 70” x 50,” 2019

With “Poseur,” Soft Pastel on Sandpaper, 70” x 50,” 2019

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

[John] Graham told Lee [Krasner] and Jackson [Pollock] they were at the most wonderful part of their artistic journey because they were unknown and therefore free, and that there was only one thing they had to dread:  fame.

 How many men of great talent on their way to remarkable achievement in the present day are ruthlessly destroyed by critics, dealers, and public while mediocre, insensitive hacks, who by intrigue and industrious commercial effort have gained recognition and success, will go down in history with their inane creations.  Success, fame, and greatness coincide very seldom.  The great are not recognized during their life-time… Poe, Van Gogh,Rembrandt, Cezanne, Gauguin, Modigliani, Pushkin, Rimbaud, Baudelaire, and others could not make even a miserable living out of their art.

 As Graham described it, true art could never be of the world because it was always steps, decades, light-years ahead of it.  Artists, therefore, had no need to be part of the world, either.  Their only duty was to persevere.  Humanity, he said, depended on it.

Mary Gabriel in Ninth Street Women

Comments are welcome!

Pearls from artists* # 354

"Epiphany," soft pastel on sandpaper, 38" x 58"

“Epiphany,” soft pastel on sandpaper, 38″ x 58″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

My earlier work had taught me that artistic activity is a form of reasoning, in which perceiving and thinking are indivisibly intertwined.  A person who paints, writes, composes, dances, I felt compelled to say, thinks with his senses.  This union of perception and thought turned out to be not merely a specialty of the arts.  A review of what is known about perception, and especially about sight, made me realize that the remarkable mechanisms by which the senses understand the environment are all but identical with the operations described by the psychology of thinking.  Inversely, there was much evidence that truly productive thinking in whatever area of cognition takes place in the realm of imagery.  This similarity of what the mind does in the arts and what it does elsewhere suggested taking a new look at the long-standing complaint about the isolation and neglect of the arts in society and education.  Perhaps the real problem was more fundamental:  a split between sense and thought, which caused various deficiency diseases in modern man.      

Rudolph Arnheim in Visual Thinking 

Comments are welcome!

Pearls from artists* # 344

Untitled, c-print, 24 x 24," edition of 5

Untitled, c-print, 24 x 24,” edition of 5

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I live in a most remarkable world, thick with mysteries.  It all called to mind the British physicist Sir Arthur Eddington’s memorable explanation of how the universe works:  “Something unknown is doing we don’t know what.”

But the best part is:  I don’t need to know what.

All I know for certain is that this is how I want to spend my life – collaborating to the best of my ability with forces of inspiration that I can neither see, nor prove, nor command, nor understand.

It’s a strange line of work, admittedly.

I cannot think of a better way to pass my days.

Elizabeth Gilbert in Big Magic:  Creative Living Beyond Fear

Comments are welcome!

 

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