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Pearls from artists* # 449

Working
Working

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I learned about the Japanese word irimi while studying Aikido, a Japanese martial art. Simply translated, irimi means ,’to enter’ but it can also be translated ‘choose death.’ When attacked you always have two options: to enter, irimi, or to go around, ura. Both when accomplished in the right manner, are creative. To enter or to ‘choose death’ means to enter fully with the acceptance, if necessary, of death. The only way to win is to risk everything and be fully willing to die. If this is an extreme notion to Occidental sensibilities, it does make sense in creative practice. To achieve the violence of decisiveness, one has to ‘choose death’ in the moment by acting fully and intuitively without pausing for reflection about whether it is the right decision or if it is going to provide the winning solution.

It is also valuable to know when to use ura, or going around. There is a time for ura, going around, and there is a time for irimi, entering. And these times can never be known in advance. You must sense the situation and act immediately. In the heat of creation, there is no time for reflection; there is only connection to what is happening. The analysis, the reflection and the criticism belong before and after, never during, the creative act.

Anne Bogart in “A Director Prepares: Seven Essays on Art and Theater”

Comments are welcome!

Pearls from artists* # 320

"Offering," soft pastel on sandpaper, 20" x 26"

“Offering,” soft pastel on sandpaper, 20″ x 26″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

As soon as I use words and actions to convey an emotion, I engage with the world, pitting my feelings against fate in hopes of a desired outcome.  If I am angry, my anger is directed at someone or something.  If I am in love, my love is for another.  Feelings are purposive in ordinary reality, our emotional states tangled in the processes of life.  This is what we mean when we refer to ourselves as subjects.  But if, instead of acting on a feeling, I make it the basis of a song or a film or a dance, something strange happens.  My purposive feeling leaves the closed circle of my personal existence, almost as though I had taken it out of historical time altogether.  Transposed into the work of art, it becomes nonpurposive, undirected.  It disassociates from its original focus, and from my self as subject, acquires a kind of autonomy.  Artistic creation allows for the subjective aspect of our lives normally locked inside our skulls to exist outside us, which is to say that in art, the subjective becomes objective.   

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

Comments are welcome!

Pearls from artists* # 58

Cabo San Lucas, Mexico

Cabo San Lucas, Mexico

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I remember as a teenager having a group of friends at school and another group whom I spent the weekends with.  I functioned fine until on occasions when I was with friends from both groups at the same time.  Then it became really difficult, because I was used to acting very differently with the two groups.  With one I was the leader, very vocal and outspoken about my opinions.  With the other group I wanted desperately to belong and so I adapted to fit in, which meant not really being myself.

The lack of authenticity is painful.  It applies to all levels of life.  If our voice as a painter is inauthentic, we’re in trouble.  In the end there is nothing so compelling as to be yourself.  This is why being an artist can be so exhilarating.  If you want to uncover your truth, you have a daily technique to come to terms with your limitations and to overcome them.  You have an opportunity to look at the limiting stories you have written in your head and heart and rewrite them with boldness and vision.  The quality of your attention influences how you see things. 

What you put your attention on grows stronger in your life.  Life, if you look around you, whether inside or in nature, is one bubbling mass of creativity.  Recognize we have no shortage of it.  If you focus your attention on what you now decide is fundamental , that quality will grow in your life.  Not what our parents or teachers or friends or media or anybody says or said.  What we now put our attention on will grow in our life.  If you want to paint and put your focus there you will unleash a torrent of energy and enthusiasm.

Ian Roberts in Creative Authenticity:  16 Principles to Clarify and Deepen Your Artistic Vision

Comments are welcome!   

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