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Pearls from artists* # 177
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Everyone but a lunatic has a reason for what he does. Yes, in that sense I am a determinist. But I believe, with Kant, that the mind is self-determined. That is, I believe intensely in the creative freedom of the mind. That is indeed absolutely essential to man’s security in a chaotic world of change. He is faced all the time with unique complex problems. To sum them up for action is an act of creative imagination. He fits the different elements together in a coherent whole and invents a rational act to deal with it. He requires to be free, he requires his independence and solitude of mind, he requires his freedom of mind and imagination. Free will is another matter – it is a term, or rather a contradiction in terms, which leads to continual trouble. The will is never free – it is always attached to an object, a purpose. It is simply the engine in the car – it can’t steer. It is the mind, the reason, the imagination that steers.
Joyce Carey in The Paris Review Interviews: Writers at work 1st Series, edited and with an introduction by Malcolm Cowley
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Pearls from artists* # 94
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
A work of art which inspires us comes from no quibbling or uncertain man. It is the manifest of a very positive nature in great enjoyment, and at the very moment the work was done.
It is not enough to have thought great things before doing the work. The brush stroke at the moment of contact carries inevitably the exact state of being of the artist at that exact moment into the work, and there it is, to be seen and read by those who can read such signs, and to be read later by the artist himself, with perhaps some surprise, as a revelation of himself.
For an artist to be interesting to us he must be interesting to himself. He must have been capable of intense feeling, and capable of profound contemplation.
He who has contemplated has met with himself, is in a state to see into the realities beyond the surfaces of his subject. Nature reveals to him, and, seeing and feeling intensely, he paints, and whether he wills it or not each brush stroke is an exact record of such as he was at the exact moment the stroke was made.
The Art Spirit by Robert Henri
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