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Pearls from artists* # 243

Self portrait, White Sands, NM

Self portrait, White Sands, NM

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Art is not a making-oneself-understood but an urgent understanding-of-oneself.  The closer you get in your most intimate and solitary contemplation or imagination (vision), the more has been achieved, even if no one else were to understand it. 

The Poet’s Guide to Life:  The Wisdom of Rilke, edited and translated by Ulrich Baer

Comments are welcome!

Q: In the “Black Paintings” you create a deep intellectual interaction and communicate a wide variety of states of mind. I admit that certain “Black Paintings” unsettle me a bit. I see in this series an effective mix between anguish and happiness. Rather than simply describing something, these paintings pose a question and force us to contemplation. Can you talk about this aspect of your work?

"The Storyteller," soft pastel on sandpaper, 20" x 26"

“The Storyteller,” soft pastel on sandpaper, 20″ x 26″

A:  I’m sure you and other viewers will see all kinds of states of mind, like anguish, happiness, and everything in between.  I think that’s wonderful because it means my work is communicating a message to you.  Sometimes people have told me that my images are unsettling and that’s fine, too.  I would never presume to tell anyone what to think about my work.  As one reviewer put it, “What you bring to my work you get back in spades!”  

Some of this is intentional, but some is not.  My day-to-day experiences – what I’m thinking about, what I’m feeling, what I’m reading, the music I’m listening to, etc. –  get embedded into the work. I don’t understand exactly how that happens, but I am glad it happens. This work does come from a deep place, much deeper than I am able to explain even to myself. After nearly three decades as an artist, the intricacies of my creative process are still a mystery. Personally, I am very fond of mysteries and don’t need to understand it all.  

Comments are welcome!

Pearls from artists* # 94

Working on "False Friends"  Photo: Diana Feit

Working on “False Friends” Photo: Diana Feit

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A work of art which inspires us comes from no quibbling or uncertain man.  It is the manifest of a very positive nature in great enjoyment, and at the very moment the work was done.

It is not enough to have thought great things before doing the work.  The brush stroke at the moment of contact carries inevitably the exact state of being of the artist at that exact moment into the work, and there it is, to be seen and read by those who can read such signs, and to be read later by the artist himself, with perhaps some surprise, as a revelation of himself.

For an artist to be interesting to us he must be interesting to himself.  He must have been capable of intense feeling, and capable of profound contemplation.

He who has contemplated has met with himself, is in a state to see into the realities beyond the surfaces of his subject.  Nature reveals to him, and, seeing and feeling intensely, he paints, and whether he wills it or not each brush stroke is an exact record of such as he was at the exact moment the stroke was made.

The Art Spirit by Robert Henri

Comments are welcome!