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Q: What more would you wish to bring to your work?

Tile worker in South India

Tile worker in South India

A:  I tend to follow wherever the work leads, rather than directing it.  I have never been able to predict where it will lead or what more might be added.

Travel is essential for inspiration.  Besides many Mexican sojourns, I have been to Bali, Sri Lanka, South India, Guatemala, Honduras, Brazil, Peru, Argentina, Paraguay, and other places.  A second trip to India is upcoming, to Gujarat and Rajistan this time.  

Last year I had the opportunity to go to Bolivia. In La Paz I visited the Museum of Ethnography and Folklore, where a stunning mask exhibition was taking place.  As soon as I saw it, I knew this would be the inspiration for my next series, “Bolivianos.”  So far I have completed six “Bolivianos” pastel paintings with two more in progress now.  This work is getting a lot of press and several critics have declared it to be my strongest series yet.

Comments are welcome!

Pearls from artists* # 150

 

Tile worker, South India

Tile worker, South India

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

You wait for your eye to sort of “turn on,” for the elements to fall into place and that ineffable rush to occur, a feeling of exultation when you look through that ground glass, counting ever so slowly, clenching teeth and whispering to Jessie to holdstillholdstillholdstill and just knowing that it will be good, that it is true.  Like the one true sentence that Hemingway writes about in A Moveable Feast, that incubating purity and grace that happens, sometimes, when all the parts come together.

And these pictures have come quickly, in a rush… like some urgent bodily demand.  They have been obvious, they have been right there to be taken, almost like celestial gifts.  

Sally Mann in Hold Still:  A Memoir with Photographs

Comments are welcome!