Blog Archives

Q: What more would you wish to bring to your work?

Tile worker in South India

Tile worker in South India

A:  I tend to follow wherever the work leads, rather than directing it.  I have never been able to predict where it will lead or what more might be added.

Travel is essential for inspiration.  Besides many Mexican sojourns, I have been to Bali, Sri Lanka, South India, Guatemala, Honduras, Brazil, Peru, Argentina, Paraguay, and other places.  A second trip to India is upcoming, to Gujarat and Rajistan this time.  

Last year I had the opportunity to go to Bolivia. In La Paz I visited the Museum of Ethnography and Folklore, where a stunning mask exhibition was taking place.  As soon as I saw it, I knew this would be the inspiration for my next series, “Bolivianos.”  So far I have completed six “Bolivianos” pastel paintings with two more in progress now.  This work is getting a lot of press and several critics have declared it to be my strongest series yet.

Comments are welcome!

Travel photo of the month*

 

 

Near Santa Cruz, Bolivia

Near Santa Cruz, Bolivia

*Favorite travel photographs that have not yet appeared in this blog

Travel in Peru and Bolivia is life-altering.  One takeaway:  I adore clear, cool, crisp Andean light!

Comments are welcome! 

 

 

Q: What non-art book are you reading now?

Tiwanaku

Tiwanaku

A:  I am reading Kim Mac Quarrie’s, “The Last Days of the Incas.”  It’s fascinating to discover the intricacies of the epic conquest of the short-lived Inca empire.  The book is actually thrilling to read.  Mac Quarrie makes this story come alive.

Last summer I traveled to Peru to investigate the history of the Incas and the civilizations that preceded them.  In May of this year I continued my studies with a trip to Bolivia.  Both trips are proving to be highly inspirational for my art practice. 

Comments are welcome!       

Pearls from artists* # 252

Above the Panamerican Highway in southern Peru

Above the Panamerican Highway in southern Peru

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

All the world is taken in through the eye, to reach the soul, where it becomes more, representative of a realm deeper than appearances: a realm ideal and sublime, a deep stillness that is, whose whole proclamation is the silence and the lack of material instance in which, patiently and radiantly, the universe exists. 

Mary Oliver in Upstream: Selected Essays

Comments are welcome!

Pearls from artists* # 220

Lima, Peru

Lima, Peru

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

 It is the job of the writer to say, look at that.  To point.  To shine a light.  But it isn’t that which is already bright and beckoning that needs our attention.  We develop our sensitivity – to use John Berger’s phrase, our “ways of seeing” – in order to bear witness to what is.  Our tender hopes and dreams, our joy, frailty, grief, fear, longing, desire – every human being is a landscape.  The empathic imagination glimpses the woman working the cash register at a convenience store, the man coming out of the bathroom at the truck stop, the mother chasing her toddler up and down the aisle of the airplane, and knows what it sees.  Look at that.  This human catastrophe, this accumulation of ordinary blessings, of unbearable losses.  And still, a ray of sunlight, a woman doing the wash, a carcass of beef.  The life that holds us.  The life we know.     

Dani Shapiro in Still Writing:  The Perils and Pleasures of a Creative Life 

Comments are welcome!