Q: You are a multi-talented woman! Tell us about your book, “From Pilot to Painter,” and how writing, for you, compares to painting and photography. Which do you prefer?
A: I am pleased that my eBook FROM PILOT TO PAINTER is available on Amazon and iTunes. It is based on my blog and is part memoir, including my personal loss on 9/11, insights into my creative practice, and intimate reflections on what it’s like to be an artist living in New York City now. The eBook includes new material not found on the blog, plus 25+ reproductions of my vibrant pastel-on-sandpaper paintings, a Foreword by Ann Landi (who writes for ARTnews and The Wall Street Journal), and more.
“Barbara Rachko’s Colored Dust” (the title of my blog) continues to be a crucial part of my overall art practice. Blogging twice a week forces me to think deeply about my work and to explain it clearly to others. The process has helped me develop a better understanding about why I make art and has encouraged me to become a better writer.
From the beginning in the 1980s I used photographs as reference material and Bryan would shoot 4” x 5” negatives of my elaborate setups with his Toyo-Omega view camera. In those days I rarely picked up a camera except when we were traveling. After Bryan was killed on 9/11, I inherited his extensive camera collection – old Nikons, Leicas, Graphlex cameras, etc. – and I wanted to learn how to use them. In 2002 I enrolled in a series of photography courses (about 10 over 4 years) at the International Center of Photography in New York. I learned how to use all of Bryan’s cameras and how to make my own big color prints in the darkroom. Along the way I discovered that the sense of composition, form, and color I developed over many years as a painter translated well into photography. The camera was just another medium with which to express my ideas. Astonishingly, in 2009 I had my first solo photography exhibition in New York.
It’s wonderful to be both a painter and a photographer. Pastel painting will always be my first love, but photography lets me explore ideas much faster than I ever could as a painter. Paintings take months of work. To me, photographs – from the initial impulse to hanging a framed print on the wall – are instant gratification.
For two years I have been using my iPad Pro to capture thousands of travel photographs. Most recently, I visited Gujarat and Rajasthan in India. I have never been inclined to use a sketchbook so composing photos on my iPad keeps my eye sharp while I’m halfway around the world, far from my studio practice.
Comments are welcome!
A: I tend to follow wherever the work leads, rather than directing it. I have never been able to predict where it will lead or what more might be added.
Travel is essential for inspiration. Besides many Mexican sojourns, I have been to Bali, Sri Lanka, South India, Guatemala, Honduras, Brazil, Peru, Argentina, Paraguay, and other places. A second trip to India is upcoming, to Gujarat and Rajistan this time.
Last year I had the opportunity to go to Bolivia. In La Paz I visited the Museum of Ethnography and Folklore, where a stunning mask exhibition was taking place. As soon as I saw it, I knew this would be the inspiration for my next series, “Bolivianos.” So far I have completed six “Bolivianos” pastel paintings with two more in progress now. This work is getting a lot of press and several critics have declared it to be my strongest series yet.
Comments are welcome!