Posted on June 19, 2021, in 2021, Alexandria (VA), Creative Process, New York, NY, Pastel Painting, Photography, Studio, Working methods and tagged "Arts Illustrated", 9/11, Accepts, achieve, adding, analogous, applying, approach, around, art practice, astonishingly, ”Barbara Rachko’s Colored Dust”, beginning, beneath, better, blogging, built up, camera, capture, clearly, collection, color prints, composing, composition, continually, continues, courses, creating, crucial, darkroom, deeply, degree, developed, discovered, elaborate, entire, evolved, except, exciting, exhibition, explain, explore, express, extensive, faster, favorite, fingers, finish, forces, framed, glazing, gradually, Graphlex, Gujarat, halfway, hanging, husband, impulse, inclined, India, inherited, initial, instant gratification, intensity, International Center of Photography, iPad Pro, layers, learned, Leicas, make art, material, medium, months, negatives, New York, Nikons, oil paint, Old Masters, optically, others, overall, painter, pastel painting, photographer, photographs, photography, physically, process, Rajasthan, rarely, recently, reference, relatively, richness, roughness, sandpaper, saturation, self-invented, series, setups, several, similarly, sketchbook, soft pastel, studio practice, studio time, subject, technique, texture, thousands, toothy, Toyo-Omega, translated, travel, traveling, UArt, understanding, undoubtedly, vibrant, view camera, visited, wanted, wonderful, writer. Bookmark the permalink. Comments Off on Q: How do you work and approach your subject? (Question from “Arts Illustrated”).
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