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Q: You are a multi-talented woman! Tell us about your book, “From Pilot to Painter,” and how writing, for you, compares to painting and photography. Which do you prefer?

“From Pilot to Painter”

“From Pilot to Painter”

A:  I am pleased that my eBook FROM PILOT TO PAINTER is available on Amazon and iTunes.  It is based on my blog and is part memoir, including my personal loss on 9/11, insights into my creative practice, and intimate reflections on what it’s like to be an artist living in New York City now. The eBook includes new material not found on the blog, plus 25+ reproductions of my vibrant pastel-on-sandpaper paintings, a Foreword by Ann Landi (who writes for ARTnews and The Wall Street Journal), and more.

“Barbara Rachko’s Colored Dust” (the title of my blog) continues to be a crucial part of my overall art practice.  Blogging twice a week forces me to think deeply about my work and to explain it clearly to others.  The process has helped me develop a better understanding about why I make art and has encouraged me to become a better writer.

From the beginning in the 1980s I used photographs as reference material and Bryan would shoot 4” x 5” negatives of my elaborate setups with his Toyo-Omega view camera. In those days I rarely picked up a camera except when we were traveling. After Bryan was killed on 9/11, I inherited his extensive camera collection – old Nikons, Leicas, Graphlex cameras, etc. – and I wanted to learn how to use them. In 2002 I enrolled in a series of photography courses (about 10 over 4 years) at the International Center of Photography in New York. I learned how to use all of Bryan’s cameras and how to make my own big color prints in the darkroom. Along the way I discovered that the sense of composition, form, and color I developed over many years as a painter translated well into photography. The camera was just another medium with which to express my ideas. Astonishingly, in 2009 I had my first solo photography exhibition in New York.

It’s wonderful to be both a painter and a photographer. Pastel painting will always be my first love, but photography lets me explore ideas much faster than I ever could as a painter. Paintings take months of work. To me, photographs – from the initial impulse to hanging a framed print on the wall – are instant gratification.

For two years I have been using my iPad Pro to capture thousands of travel photographs.  Most recently, I visited Gujarat and Rajasthan in India. I have never been inclined to use a sketchbook so composing photos on my  iPad keeps my eye sharp while I’m halfway around the world, far from my studio practice.

Comments are welcome!

New eBook!

Cover

Cover

I am pleased to announce that my first eBook, FROM PILOT TO PAINTER, is available now on Amazon!

It is based on my blog and is part memoir, including my personal loss on 9/11, insights into my creative practice, and intimate reflections on what it’s like to be an artist living in New York City now.

The eBook includes new material not  found on the blog:  25+ reproductions of my vibrant pastel-on-sandpaper paintings, a Foreword by Ann Landi (who writes for ARTnews and The Wall Street Journal), and more.

Thank you for your support!

http://www.amazon.com/From-Pilot-Painter-Interview-Barbara-ebook/dp/B00HNVR200/ref=sr_1_1?ie=UTF8&qid=1389292390&sr=8-1&keywords=barbara+rachko

Note:  If you do not own a Kindle, you can download a free Kindle app.

Here is the one for MACs:

http://www.amazon.com/gp/feature.html?docId=1000464931 

Here is a link for the rest: 

Kindle Cloud Reader – Read instantly in your browser

Smartphones – iPhone & iPod touch, Android, Windows Phone,  BlackBerry

Computers – Mac, Windows 8, Windows 7, XP & Vista

Tablets – iPad, Android Tablet, Windows 8

http://www.amazon.com/gp/feature.html/ref=sv_kstore_3?ie=UTF8&docId=1000493771

Comments are welcome!

Q: How do you know when a pastel painting is finished?

"Big Wow," soft pastel on sandpaper

“Big Wow,” soft pastel on sandpaper

A:  During the several months that I work on a pastel painting, I search for the best, most eye-popping colors, as I build up and blend together as many as 25 to 30 layers of pigment.  I am able to complete some areas, like the background, fairly easily –  maybe with six or seven layers – but the more realistic parts take more applications because I am adding details.  Details always take time to perfect.  No matter how many pastel layers I apply, however, I never use fixatives.  It is difficult to see this in reproductions of my work, but the finished surfaces achieve a texture akin to velvet.   My technique involves blending each layer with my fingers, pushing pastel deep into the tooth of the sandpaper.  The paper holds plenty of pigment and because the pastel doesn’t flake off, there is no need for fixatives.

I consider a given painting complete when it is as good as I can make it, when adding or subtracting anything would diminish what is there.  I know my abilities and I know what each individual stick of pastel can do.  I continually try to push myself and my materials to their limits.              

Comments are welcome.

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