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Q: What makes you drawn to face masks?

“Raconteur,” soft pastel on sandpaper, 58” x 38,” in progress

A: For me a mask is so much more than a mask.  It is almost a living thing with its own soul and with a unique history.  I always wonder, who created this mask?  For what purpose?  Where has it been?  What stories would it tell if it could?  In my current “Bolivianos” series I feel as though I am creating portraits of living, or perhaps once living, beings.

In a way the masks are a pretext for a return to my early days as an artist.  When I resigned my Naval commission to pursue art full time, I started out as a photo-realist portrait painter.  The twist is that this time I do not have to satisfy a client’s request to make my subjects look younger or more handsome.  I am joyfully free to respond only to the needs of the pastel painting before me on the easel. 

Comments are welcome!

Q: You had a terrific interview published in the July Issue # 44 of “Art Market.” How did that happen?

First page of Barbara’s interview in “Art Market”

First page of Barbara’s interview in “Art Market”

A: You know, my business strategy is to get my work onto as many websites as possible in hopes of eventually reaching the right collectors.  ArtsRow has not gotten me a sale yet, but wow, what press!  The print copy of “Art Market is gorgeous.”  I was stunned by the quality of the reproductions, the layout, and the fact that the publisher did not cut any of my 18-page interview!

This is how it happened.  I cannot remember if Paula Soito found me or vice versa.  Somehow we connected, I sent my work for her ArtsRow website, and shortly after, she asked to interview me for her blog.  Paula deeply connected to something in my work or my bio.  I may be mistaken, but I do not believe she asks many artists for an interview. 

As I do with every interview request, I enthusiastically said, “Yes!”  Paula proceeded to ask great questions.  I prepared my written answers to her questions as though I were writing an article for “The New York Times,” because once an interview is published, you never know who will read it.  And we had no word limits since the interview was being published on her blog, not in print.

So last spring my in-depth interview was published on Paula’s blog.  Sometime later she let me know that she had met Dafna Navarro, CEO and Founder of “Art Market,” and was arranging for our interview to be published there.  I thought, “Gee, that’s nice,” thinking there’s no way they will publish the whole article.  When I received my print copy in the mail I was thrilled!  Not only did my interview look great, but it was sandwiched between a piece about an exhibition at The Metropolitan Museum and one at The Whitney Museum of American Art!  So, of course, I am sharing it with everyone and encouraging people to purchase a print copy.

You can read the full exclusive interview here on my website:  
 
Comments are welcome!

Q: In the “Bolivianos” series you are exclusively depict masks. What drew you to them?

Source material for “The Champ”

Source material for “The Champ”

A:  For me a mask is so much more than a mask.  It is a living thing with its own mind, its own soul, and with a unique history.  With this series I feel as though I am creating portraits of living beings.  

These images are a return to my early days because I began as a photo-realist portrait painter.  So I am reconnecting with a first love, except with a welcome twist.  This time I do not have to satisfy a portrait client’s request to make my subject look younger or more handsome.  I am free to respond only to what the work needs. 

Comments are welcome!     

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