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New eBook!

Cover

Cover

I am pleased to announce that my first eBook, FROM PILOT TO PAINTER, is available now on Amazon!

It is based on my blog and is part memoir, including my personal loss on 9/11, insights into my creative practice, and intimate reflections on what it’s like to be an artist living in New York City now.

The eBook includes new material not  found on the blog:  25+ reproductions of my vibrant pastel-on-sandpaper paintings, a Foreword by Ann Landi (who writes for ARTnews and The Wall Street Journal), and more.

Thank you for your support!

http://www.amazon.com/From-Pilot-Painter-Interview-Barbara-ebook/dp/B00HNVR200/ref=sr_1_1?ie=UTF8&qid=1389292390&sr=8-1&keywords=barbara+rachko

Note:  If you do not own a Kindle, you can download a free Kindle app.

Here is the one for MACs:

http://www.amazon.com/gp/feature.html?docId=1000464931 

Here is a link for the rest: 

Kindle Cloud Reader – Read instantly in your browser

Smartphones – iPhone & iPod touch, Android, Windows Phone,  BlackBerry

Computers – Mac, Windows 8, Windows 7, XP & Vista

Tablets – iPad, Android Tablet, Windows 8

http://www.amazon.com/gp/feature.html/ref=sv_kstore_3?ie=UTF8&docId=1000493771

Comments are welcome!

Q: How do you decide on the titles for your pastel paintings?

"Stigmata," soft pastel on sandpaper, 28" x 48"

“Stigmata,” soft pastel on sandpaper, 28″ x 48″

A:  Usually a title suggests itself over the course of the months I spend on a painting.  Sometimes it comes from a book I’m reading, from a piece of music, a film, bits of overheard conversation.  A title can come from anywhere, but finding the best one is key.  I like what Jean Cocteau says about this:

One title alone exists.  It will be, so it is.  Time conceals it from me.  How discover it, concealed by  a hundred others?  I have to avoid the this, the that.  Avoid the image.  Avoid the descriptive and the undescriptive.  Avoid the exact meaning and the inexact.  The soft, the hard.  Neither long nor short.  Right to catch the eye, the ear, the mind.  Simple to read and to remember.  I had announced several.  I had to repeat them twice and the journalists still got them wrong.  My real title defies me.  It enjoys its hiding place, like a child one keeps calling, and whom one believes drowned in the pond.    

Once I have the best title, I make sure it fits the painting exactly.  How I do that is difficult to explain.  It’s an intuitive process that involves adjusting colors, shapes, and images so that they fit the painting’s meaning, i.e., the meaning hinted at by the title.

Comments are welcome!        

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