Blog Archives

Pearls from artists* # 464

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Only through art can human beings express and share the archetypal powers that shape the universe.

To abandon art would mean forfeiting the gift of vision, which, by all appearances, was given to humans alone.

To reclaim it might enable us to recover our faith in this world, and act in accordance with that faith for the benefit of life on earth.

JF Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action

Comments are welcome!

Pearls from artists* # 252

Above the Panamerican Highway in southern Peru

Above the Panamerican Highway in southern Peru

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

All the world is taken in through the eye, to reach the soul, where it becomes more, representative of a realm deeper than appearances: a realm ideal and sublime, a deep stillness that is, whose whole proclamation is the silence and the lack of material instance in which, patiently and radiantly, the universe exists. 

Mary Oliver in Upstream: Selected Essays

Comments are welcome!

Pearls from artists* # 141

Painting, subject, reference photo

Painting, subject, reference photo

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It would be very interesting to record photographically not the stages of a painting, but its metamorphoses.  One would see perhaps by what course a mind finds its way towards the crystallization of its dream.  But what is really very curious is to see that the picture does not change basically, that the initial vision remains almost intact in spite of appearances.  I see often a light and dark, when I have put them in my picture, I do everything I can to ‘break them up,’ in adding a color that creates a counter effect.  I perceive, when this work is photographed, that which I have introduced to correct my first vision has disappeared, and that after all the photographic image corresponds to my first vision, before the occurrence of the transformation brought about by my will.

The picture is not thought out and determined beforehand, rather while it is being made it follows the mobility of thought.  Finished, it changes further, according to the condition of him who looks at it.  A picture lives its life like a living creature, undergoing the changes that daily life imposes on us.  That is natural, since a picture lives only through him who looks at it.

Christian Zervos:  Conversation with Picasso in The Creative Process, edited by Brewster Ghiselin

Comments are welcome!    

%d bloggers like this: