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Pearls from artists* # 480

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Walter Murch: As I’ve gone through life, I’ve found that your chances for happiness are increased if you wind up doing something that is a reflection of what you loved when you were between nine and eleven years old.

Michael Ondaatje: Yes – something that had and still has the feeing of a hobby, a curiosity.

M: At that age, you know enough of the world to have opinions about things, but you’re not old enough yet to be overly influenced by the crowd or by what other people are doing or what you think you “should” be doing. If what you do later on ties into that reservoir, in some way, then you are nurturing some essential part of yourself. It’s certainly been true in my case. I’m doing now, at fifty-eight, almost exactly what excited me when I was eleven.

But I went through a whole late-adolescent phase when I thought: Splicing sounds together can’t be a real occupation, maybe I should be a geologist or teach art history.

The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje

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Pearls from artists* # 350

Ahmedabad, India

Ahmedabad, India

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Seeing is not a passive awareness of visual data, but an active focusing upon it, “touching” it.  Arnheim writes, in language that echoes the Hindu notion of seeing and touching:  “In looking at an object we reach out for it.  With an invisible finger we move through the space around us, go out to the distant places where things are found, touch them, catch them, scan their surfaces, trace their borders, explore their texture.  It is an eminently active occupation.”        

Diana L. Eck in Darsan:  Seeing the Divine Image in India

Comments are welcome!

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