Blog Archives

Pearls from artists* # 351

Barbara at work on "The Orator"

Barbara at work on “The Orator”

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

That art is apolitical does not mean that artists themselves can be excused from the political responsibilities that fall on others.  It means rather that as a manifestation of eternal psychic force, each work of art goes farther and deeper than the limited perspective of any individual mind, including that of its author.

No artist can predict how his work will affect the world… The artist invests his entire personality into the work, but he does so as a means of expressing a vision that is transpersonal.  Everything that makes him what he is informs the work, but the final result transcends all personal contingencies.    

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

Comments are welcome!

Q: Please speak about how the three pastel paintings series that you have created interrelate.

"The Orator," soft pastel on sandpaper, 38" x 58"

“The Orator,” soft pastel on sandpaper, 38″ x 58″

A:  The Black Paintings series of pastel-on-sandpaper paintings grew directly from an earlier series, Domestic Threats.  While both use cultural objects as surrogates for human beings acting in mysterious, highly-charged narratives, in the Black Paintings I replaced all background details of my actual setup (furniture, rugs, etc.) with lush black pastel.  In this work the ‘actors’ are front and center.

While traveling in Bolivia last spring, I visited a mask exhibition at the National Museum of Ethnography and Folklore in La Paz.  The masks were presented against black walls, were spot-lit, and looked eerily like 3D versions of my Black Paintings.  I immediately knew I had stumbled upon a gift.  So  far I have completed three pastel paintings in the Bolivianos series.  Two more are in progress now.

All of my pastel paintings are an example of a style called “contemporary conceptual realism” in which things are not quite as innocent as they seem.  Each painting is a Trojan horse.  There is plenty of backstory to my images, although I usually prefer not to over-explain them.  Much is to be said for mystery in art.  

The world I depict is that of the imagination and this realm owes little debt to the natural world.  Recently, at an art talk I was reminded how fascinating it is to learn how others respond to my work.  As New York art critic Gerrit Henry once remarked, “What we bring to a Rachko… we get back, bountifully.” 

Comments are welcome!

 

Pearls from artists* # 285

"The Orator," 38" x 58," boxed to go to the framer

“The Orator,” 38″ x 58,” boxed to go to the framer

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

So much of the writing life is mundane.  Buying printer ink and paper, doing dishes, arranging the pens in the cup, smoke breaks on the phone, taking baths or going for walks or sitting blankly on the couch wondering if the day will end before one makes a discovery or a decision.  These habits of day-to-day tedium are what can’t be seen on the surface of a writer’s face when we meet her at a book signing – the time and effort spent living in her own head.  Writing is a lonesome art.     

Women at Work:  Interviews from the Paris Review, preface by Ottessa Moshfegh

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Start/finish of “The Orator,” soft pastel on sandpaper, 38″ x 58″

Start

Start

Finish

Finish

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

“The Orator,” soft pastel on sandpaper, 38” x 58”

“The Orator,” soft pastel on sandpaper, 38” x 58”

A:  Having finally finished “The Orator” (bottom), I continue working on a small pastel painting that does not have a title yet (top).  The latter is the third piece in my “Bolivianos” series.  

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am continuing work on “The Orator,” 38″ x 58,” the second pastel painting in my new “Bolivianos” series.

Comments are welcome!