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Pearls from artists* # 439

New York Harbor

New York Harbor

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Art is a way of preserving experiences, of which there are many transient and beautiful examples, and that we need help containing.  There is an analogy to be made with the task of carrying water and the tool that helps us do it.  Imagine being out in a park on a blustery April day.  We look up at the clouds and feel moved by their beauty and grace.  They feel delightfully separate from the day-to-day bustle of our lives.  We give our minds to the clouds, and for a time we are relieved of our preoccupations and placed in a wider context that stills the incessant complaints of our egos.  John Constable’s cloud studies invite us to concentrate, much more than we would normally, on the distinctive textures and shapes of individual clouds, to look at their variations in colour and at the way they mass together.  Art edits down complexity and helps us to focus, albeit briefly, on the most meaningful aspects.  In making his cloud studies, Constable didn’t expect us to become deeply concerned with meteorology.  The precise nature of a cumulonimbus is not the issue.  Rather, he wished to intensify the emotional meaning of the soundless drama that unfolds daily above our heads, making it more readily available to us and encouraging us to afford it the central position it deserves.                 

Alain de Botton and John Armstrong in Art as Therapy          

Comments are welcome!

Pearls from artists* # 114

Catalogue of Matisse's late work

Catalogue of Matisse’s late work

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

These paper cut-outs have their very pure existence, although they escape from your hands, from your scissors.  Their paper matter with the fine play of light on their flexibility, the physical aspect of this flexibility, all combine to make something miraculous which loses its essence when it is placed flat.  But it retains its essence when it is fastened to the wall with pins by Lydia.  The paper then keeps the life I am talking about and undergoes incessant changes.

Matisse:  A Second Life, 2005 Editions Hazan, James Mayor translator of the English version

Comments are welcome!

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