Blog Archives
Q: Do you have any big projects coming up?
A: I certainly do! I have been a painter for forty years, and for most of that time, my work has been shaped by foreign travel. At seventy-two, I find myself thinking about legacy — what I want to leave behind. Documenting my creative process on film has become an essential part of this objective.
In the “Bolivianos” series, I have been creating pastel-on-sandpaper paintings that transform the vivid masks of the Bolivian Carnival into universal archetypes. I first encountered these masks at a museum in La Paz in 2017.
Circumstances have aligned perfectly for an exciting next step: another trip to Bolivia and a new documentary. Our upcoming film will be a follow-up to the award-winning “Barbara Rachko: True Grit” (released in 2023), marking a deeper exploration of my thirty-five-year engagement with folk art from Mexico, Central America, and South America.
(See https://youtu.be/JJWLy84kXI0?si=v7JHIq9ViYGgs76U)
In February 2026, I will return to Bolivia with a two-person film crew to experience Carnival firsthand — to immerse myself in its rhythm, history, and meaning. Recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity, this festival offers an extraordinary window into Bolivia’s cultural soul.
Our film will chronicle my journey as essential research — a vital continuation of my creative inquiry over these past decades. With this trip and film, I hope to create my next body of pastel-on-sandpaper paintings, rich with color, spirit, and the enduring vitality of Oruro’s Carnival.
Comments are welcome!
Pearls from artists* # 674
Southampton, New York Photo: Susan Erlichman
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Everything about art requires dedication and presence. It is an intimate act, demanding the kind of sustained devotion we rarely lavish on other human beings. The artist’s generosity is highly impractical because there is no guarantee that it will ever be appreciated. Consider the level of optimism needed to repeatedly spend, even deplete, whatever reserves might be required to create the most superlative gift you could offer, one that is essentially given away to the world for free. The work we make is a love letter in a bottle, thrown into the ocean. It may or may not be read. We do not negotiate. like businesspeople, ‘You give me this, and I will give you that…’ We bequeath our pursuit of excellence and creative spirit to our audience, without reservation or qualification. We know what we have invested in it and sleep better because of it.
– Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice
Comments are welcome!
Pearls from artists* # 670
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
I’ve had to keep defining and defending myself as a writer every single day of my adult life – constantly reminding and re-reminding my soul and the cosmos that I’m very serious about the business of creative living, and that I will never stop creating, no matter what the outcome, and no matter how deep my anxieties and insecurities may be.
Over time I’ve found the right tone of voice for these assertions, too. It’s best to be insistent, but affable. Repeat yourself, but don’t get shrill. Speak to your darkest and most negative interior voices the way a hostage negotiator speaks to a violent psychopath: calmly, but firmly. Most of all, never back down. You cannot afford to back down. The life you are negotiating to save, after all, is your own.
Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear
Comments are welcome!
Pearls from artists* # 667
“Magisterial,” soft pastel on sandpaper, 58” x 38”, in progress
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
This is the eternal origin of art – that a human being confronts a form that wants to be one a work of art through him. Not a figment of his soul, but something that appears to the soul and demands the soul’s creative power. What is required is a deed that a man does with his whole being […] and the work is imperious: if I do not serve it properly, it breaks, or it breaks me. The form that confronts me I cannot experience nor describe: I can only actualize it. And yet I see it, radiant in the splendor of the confrontation, far more clearly than all the clarity of the experienced world.
Martin Buber quoted in Art From Your Core: A Holistic Guide to Visual Voice by Kate Kretz
Comments are welcome!
Q: Do you have any rituals that you do in the mornings before you begin working?
Art From Your Core by Kate Kretz
A: When I arrive at the studio in the morning it’s rare for me to immediately start working. Usually I read something art-related. At the moment I’m rereading Art From Your Core: A Holistic Guide to Visual Voice by Kate Kretz. This is a fabulous book for visual artists. It is a must-read and has become my current art bible! As usual I am struggling to understand aspects of the art business and figure out what’s next to get my work appreciated and collected by a new audience. Art From Your Core reminds why I decided to make art in the first place and what I need to do to continue to improve. It helps reconnect with forgotten parts of myself and is a much-needed reminder of what I love most about being an artist.
Balancing the creative and business aspects of my art practice is an ongoing struggle. I imagine this is true for most artists. Both jobs are so important. An artist needs an appreciative audience – very few artists devote their lives to art-making so that the work will remain in a closet – but I also believe this (from a note hand-written years ago that I tacked to the studio wall): “Just make the work. None of the rest matters.”
Comments are welcome.
In celebration of the 13th anniversary of my blog three days from now, I am republishing the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?
Barbara’s Studio (in 2012) with works in progress.
A: The three Big P’s – Patience, Persistence, and Passion. Without all three you will not have the stamina to work tirelessly for very little external reward. You can expect help from no one.
There are so many obstacles to art-making and countless reasons to just give up. When you really think about it, it’s amazing that great art gets made at all. So why do we do it? Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process.
And, my God, it even gets harder as we get older! So what do we do? We dig in that much deeper. It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on. I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes!
These words still ring true and it’s good, even for me, to occasionally be reminded.
Most importantly, THANK YOU to my 222,000+ subscribers for taking this journey with me. When I began this blog in 2012, I had no idea it would prove to be so popular… WOW!
Comments are welcome!
Pearls from artists* # 657
Storm King Art Center, Cornwall-ON-Hudson, NY
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Students told me he [Jack Gilbert] was the most extraordinary man that they’s ever encountered. He had seemed not quite of this world, they said. He seemed to live in a state of uninterrupted marvel, and he encouraged them to do the same. He didn’t so much teach them how to write poetry, they said, but why: because of delight. Because of stubborn gladness. He told them that they must live their most creative lives as a means of fighting back against the ruthless furnace of the world.
Most of all, though, he asked his students to be brave. Without bravery, he instructed, they would never be able to realize the vaulting scope of their own capacities. Without bravery, they would never know the world as richly as it longs to be known. Without bravery, their lives would remain small – far smaller than they probably wanted their lives to be.
Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear
Comments are welcome!
Pearls from artists* # 655
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
My creative friends are some of the most hard-working, motivated people I know. While many non-artists have nine-to-five jobs and then relax at home, our work is never done. Yet, we are bombarded with tropes in books, movies, and television suggesting that we have chosen a ‘slacker’ profession. Even wildly successful artists can have family members who think they are self-absorbed, or that they should ‘get a real job.’ According to genius and award-winning filmmaker, Werner Herzog, his brother still routinely makes fun of his profession (Brooks, 2020). Some may call us selfish and tell us that we are only looking for attention, or feeding our egos. They may ask, “When are you going to grow up?” or ignorantly proclaim, “How nice it must be to only work when you want to.” Regardless of intention, this is not support.
Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice
Comments are welcome!
Pearls from artists* # 649
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Some of us spend our entire creative lives digging at the buried parts of ourselves to solve unknown mysteries that we are not even aware of. Unearthing those aspects is not an easy process, because our true psychic reality does not lie in our daily waking thoughts. It exists in the unconscious, in the form of an unfathomable, nonverbal sensory language, one that is so complex and runs so deep that we can only grasp at it, to attain small, amorphous bits. These bits can take any form, even uncharacteristic, surprising ones. We access, process, and finally transform them into what Saint Augustine called ‘visible signs of invisible realities.’
Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice”
Comments are welcome!
Pearls from artists* # 641
In the Studio
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Artistic voice is the most critical aspect of creative practice, yet it is rarely taught…
Some schools teach ‘ideation’ (conceptualizing a work or series), but that is very different from cultivating an essential core that is uniquely your own. Ideation is a Band-Aid to get you through your next few projects, while voice is a consistent, profound, and idiosyncratic wellspring that you own. It is born of your singular fascinations, obsessions, and life experiences, both weighty and mundane. If you make the effort to build and consistently replenish it, this well will deepen, yielding creative riches over the course of your entire life. Cultivating visual voice needs to be a cornerstone of art education, not an afterthought.
Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice
Comments are welcome!
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