Category Archives: Inspiration

Pearls from artists* # 675

Working

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Before, I’d never really had a taste for anything much. The things people wanted me to do left me cold. But the moment I had that paint box in my hands, I felt that this was my life. Like a cow given a sight of grass, I just headed straight into it, to the understandable despair of my father, who’d put me through other subjects. I was entranced; this was it. Here was a sort of Paradise regained, where I was completely free, alone and at peace – whereas in other things that I’d been made to do, I’d always been a bit bored and ill at ease.

For me, it was the same experience, but with soft pastel. – BR

Chatting with Henri Matisse: The Lost 1941 Interview edited by Serge Guilbaut

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Pearls from artists* # 674

Southampton, New York Photo: Susan Erlichman

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Everything about art requires dedication and presence. It is an intimate act, demanding the kind of sustained devotion we rarely lavish on other human beings. The artist’s generosity is highly impractical because there is no guarantee that it will ever be appreciated. Consider the level of optimism needed to repeatedly spend, even deplete, whatever reserves might be required to create the most superlative gift you could offer, one that is essentially given away to the world for free. The work we make is a love letter in a bottle, thrown into the ocean. It may or may not be read. We do not negotiate. like businesspeople, ‘You give me this, and I will give you that…’ We bequeath our pursuit of excellence and creative spirit to our audience, without reservation or qualification. We know what we have invested in it and sleep better because of it.


– Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

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Pearls from artists* # 673

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

You may occasionally have the opportunity to publicly comment about the work, which helps to shape its life, but others will also interpret, criticize, and project their own agendas onto it. You must learn to be ok with that. You cannot follow your art around, explaining it and defending it. Once released, the life of your work depends on all sorts of factors completely out of your control. Separating your ego and self-worth from what you produce can be challenging, but it is essential. It protects your vital studio activity from the damaging effects of the outside world. Letting go of the old work also frees you up to move forward and focus on the next great idea.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

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Pearls from artists* # 672

From Barbara’s website

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Let me now, therefore, turn directly to the question of the European individual and, for a start, cite the observations of the Swiss psychologist, Carl G. Jung, throughout whose works the term “individuation” is used to indicate the psychological process of achieving individual wholeness. Jung makes the point that in the living of our lives every one is us is required by his society to play some specific social role. In order to function in the world we are all continually enacting parts Jung calls personnae, from the Latin persona, meaning “mask, false face,” the mask worn by an actor on the Roman stage, through which he “sounded” (per-sonare, “to sound through). One has to appear in some mask or other if one is to function socially at all; and even those who choose to reject such masks can only put on others, representing rejection, “Hell no!” or something of this sort. Many of the masks are playful, opportunistic, superficial; others, however, go deep, very deep, much deeper than we know. Just as every body consists of a head, two arms, a trunk, two legs, etc., so does every living person consist, among other features, of a personality, a deeply imprinted persona through which he is made known no less to himself than to others, and without which he would not be. It is silly, therefore, to say, for example, “Let’s take off our masks and be natural!” And yet – there are masks and masks. There are the masks of youth, the masks of age, the masks of the various social roles, and the masks also that we project upon others spontaneously, which obscure them, and to which we then react.

Joseph Campbell in Myths to Live By

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Pearls from artists* # 672

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Beware of first impressions; try to have more presence of mind.

You should not be deceived by the eager promises of your best friends, by offers of help from influential people, or by the interest which men of talent seem to take in you, into thinking that there is anything real in what they say – real in the way of results, I mean. Many people are full of good intentions when they speak, but their eagerness subsides appreciably when it comes to action, like blusterers, or people who make angry scenes […]. And you, yourself, try to be more cautious in the way you welcome people, and above all, avoid these ridiculous attentions; they’re only offered on the impulse of the moment.

Cultivate a well-ordered mind, it’s your only road to happiness; and to reach it, be orderly in everything, even in the smallest details.

The Journal of Eugène Delacroix, edited by Hubert Wellington

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Pearls from artists* # 671

Working on “Magisterial”
Working on “Magisterial”

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

As a young woman—girl, actually; I was seventeen when I started taking pictures—it would appear that I didn’t have a thing to worry about from the gods. My total lack of promise is exhibit number one in the prosecution of my argument that it is work, and more work, that makes an artist. Proust became Proust that way, indeed furiously working himself to death. But you don’t have to do that—don’t kill yourself in your cork-lined room, don’t be Mozart dying from exhaustion at thirty-five, just put your head down and steadily, resolutely, pull the load.

Sally Mann in Art Work: On the Creative Life

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Pearls from artists* # 670

Barbara in her studio
Barbara in her studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I’ve had to keep defining and defending myself as a writer every single day of my adult life – constantly reminding and re-reminding my soul and the cosmos that I’m very serious about the business of creative living, and that I will never stop creating, no matter what the outcome, and no matter how deep my anxieties and insecurities may be.

Over time I’ve found the right tone of voice for these assertions, too. It’s best to be insistent, but affable. Repeat yourself, but don’t get shrill. Speak to your darkest and most negative interior voices the way a hostage negotiator speaks to a violent psychopath: calmly, but firmly. Most of all, never back down. You cannot afford to back down. The life you are negotiating to save, after all, is your own.

Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear

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Pearls from artists* # 669

Mount Everest
Mount Everest

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Pure creativity is magnificent expressly because it is the opposite of everything else in life that’s essential or inescapable (food, shelter, medicine, rule of law, social order, community and familial responsibility, sickness, loss, death, taxes, etc.). Pure creativity is something better than a necessity; it’s a gift. It’s the frosting. Our creativity is a wild and unexpected bonus from the universe. It’s as if all our gods and angels gathered together and said, “It’s tough down there as a human being, we know. Here – have some delights.”

It doesn’t discourage me in the least, in other words, to know that my life’s work is arguably useless.

All it does is make me want to play.

Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear

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Pearls from artists* # 668

Pastel paintings awaiting pickup by the shipper

Human consciousness moves, but it is not a leap; it is one inch. One inch is a small jump. But that jump is everything. You go way out and then you have to come back – to see if you can move that one inch.

Phillip Guston quoted in Art From Your Core: A Holistic Guide to Visual Voice by Kate Kretz

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Pearls from artists* # 667

“Magisterial,” soft pastel on sandpaper, 58” x 38”, in progress

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

This is the eternal origin of art – that a human being confronts a form that wants to be one a work of art through him. Not a figment of his soul, but something that appears to the soul and demands the soul’s creative power. What is required is a deed that a man does with his whole being […] and the work is imperious: if I do not serve it properly, it breaks, or it breaks me. The form that confronts me I cannot experience nor describe: I can only actualize it. And yet I see it, radiant in the splendor of the confrontation, far more clearly than all the clarity of the experienced world.

Martin Buber quoted in Art From Your Core: A Holistic Guide to Visual Voice by Kate Kretz

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