On a drifty Manhattan stroll
The kind that unearths magical treasures
I made a right turn off of Houston
Onto Bowery
And as it became Third Avenue
I came upon this old art store
That creaked hello
Its warped wooden shelves
Held new paints
A little dusty from the old building
But whose colors were deeper
Than I’d ever seen beforeAnd at the back of the store
Up a narrow stairway
Was a tiny room
And behind a long table stood three people
(Probably artists)
Who could get me any paper I desired
Paper with designs
To collage with
Hot press, cold press
100 gram, 600 gram paper
To draw and paint on
Any kind of paper I’d ever want
Templates from heavenAnd over my right shoulder
Was a tall window
Overlooking the glorious city
That has held this little room
Tenderly in its arms
All these yearsAnd as I hugged
My rolled up package of paper
And went back downstairs
The old stairs seemed to gently whisper
“Come back soon,
We’ll keep each other alive”And stepping outside
Third Avenue seemed more spacious
And I took a deep breath
As the world
Kaleidoscoped
With possibilities
Lovingly wrapped up
By three kind artists
At the top of the world.“Art Supplies From Heaven,“ by Judith Ellen Sanders, published in “Metropolitan Diary,” NY Times, April 6, 2014
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Category Archives: Working methods
Pearls from artists* # 89
Pearls from artists* # 86
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
When I’m working from a photograph, a transparency, or direct observation, I am always amazed at how much more I see as the painting progresses. After I think I have completely perceived a particular area, something else reveals itself. As the work continues, the level of awareness deepens. The process takes it’s own time. I have come to accept that time and not fight it. I know that when I begin my work, no matter how hard I try, I’ll never observe as much on the first day as I will on the last. Like life, the development will not be rushed, nor will there be full realization before completion.
Dr. Leopold Caligor, a prominent New York psychiatrist, says that he listens to tapes of recorded sessions with patients, he hears new things and gains deeper insights. Each time he listens, more information is uncovered. This process is repeated until understanding is complete.
Audrey Flack in Art & Soul: Notes on Creating
Comments are welcome!
Pearls from artists* # 81
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
The creative process remains as baffling and unpredictable to me today as it did when I began my journey over forty years ago. On the one hand, it seems entirely logical – insight building on insight; figures from my past, the culture, and everyday life sparking scenes and images on canvas; and all of it – subject, narrative, theme – working together with gesture, form, light to capture deeply felt experience. But in real time the process is a blur, a state that precludes consciousness or any kind of rational thinking. When I’m working well, I’m lost in the moment, painting quickly and intuitively, reacting to forms on the canvas, allowing their meaning to reveal itself to me. In every painting I make I’m looking for some kind of revelation, something I didn’t see before. If it surprises me, hopefully it will surprise the viewer, too.
Eric Fischl and Michael Stone in Bad Boy: My Life On and Off the Canvas
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