Author Archives: barbararachkoscoloreddust

In celebration of the 13th anniversary of my blog three days from now, I am republishing the very first post from July 15, 2012. Q: What does it take to be an artist, especially one living and working in New York?

Barbara's Studio (in 2012) with works in progress

Barbara’s Studio (in 2012) with works in progress.

A:  The three Big P’s – Patience, Persistence, and Passion.  Without all three you will not have the stamina to work tirelessly for very little external reward.  You can expect help from no one. 

There are so many obstacles to art-making and countless reasons to just give up.  When you really think about it, it’s amazing that great art gets made at all.  So why do we do it?  Above all it’s about making our time on earth matter, about devotion to our innate gifts and love of our hard-fought creative process. 

And, my God, it even gets harder as we get older!  So what do we do?  We dig in that much deeper.  It’s a most noble and sacred calling – you know when you have it – and that’s what separates those of us who are in it for the long haul from the wimps, fakers, and hangers-on.  I say to my fellow artists who continue to work despite the endless challenges, we are all true heroes! 

These words still ring true and it’s good, even for me, to occasionally be reminded.  

Most importantly, THANK YOU to my 222,000+ subscribers for taking this journey with me.  When I began this blog in 2012, I had no idea it would prove to be so popular… WOW!

Comments are welcome!    

Pearls from artists* # 660

Dropping off “Harbinger” at the framer!

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

While most citizens sell precious life hours to procure money, those who acquire the most wealth spend that money to buy more free time. Billionaire CEOs turf tasks to upper-level managers to free themselves for blocks of uninterrupted learning and creative thinking time, because this is how earth-shattering, paradigm-blending breakthroughs are cultivated (Simmons, 2017). Our world is rapidly dividing into two groups: those who allow their time and focus to be constantly manipulated by others, and those who seize control of how they spend their short time on earth.

Kate Kretz in Art From your Core: A Holistic Guide to Visual Voice

Comments are welcome!

Q: You use so many pastels in your work. Do you have a favorite?

Barbara’s Studio

A: When people ask if I have a favorite pastel among the thousands in my studio, I am quick to answer, “Rembrandt black pastel!”  This is the single color that I use the most.  I buy them by the dozens because it takes many layers of pigment – applied and hand-blended together, one on top of the other, on sandpaper – to achieve the intense black backgrounds that distinguish my “Bolivianos” series of pastel paintings.  Typically, I use up a minimum of two or three Rembrandt pastels to create these backgrounds.  A few years ago one New York art critic cleverly dubbed them, “Barbara’s black-grounds.”  How cool is that!

Comments are welcome!

Pearls from artists* # 659

Barbara in her studio
Barbara in her studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Your only goal is to be the purest and strongest version of yourself, and to articulate that as fully as possible through your creations. Avoid any enticements that threaten to eclipse the priority of your work, to lure you off in another direction toward a different goal. You are here to spend a lifetime exploring and refining what excites you.

Like Olympic athletes, trailblazing artists do not waste a second looking around at their competition to measure how they are doing. They do not look to the sidelines to measure their applause. They just keep moving forward, in the focused direction of their vision. When you possess a quiet, solid confidence and you are completely unshaken (not even a twitch) when someone looks at your work and says, ‘I don’t really like it,’ you have arrived. If you are not there yet, keep practicing. The opinions of others are simply the ever-shifting clouds, moving across your infinite azure sky.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

Comments are welcome!

Q: What’s on the easel today?

Work in progress


A: I recently returned from a trip to the South of France so I have not been working in my studio as much as usual. Here is the latest progress on “Showman,” soft pastel on sandpaper, 26” x 20”.

Comments are welcome!

Pearls from artists* # 658

Barbara’s Studio


*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A civilized society needs not only doctors, lawyers, and teachers but also artists, craftspeople, and other creatives to make our earthly existence compelling, thoughtful, and vibrant. Most people work to buy a bigger house, a newer car, or better vacations for themselves and their families. Artists devote their lives to making our world a more beautiful, truthful, and equitable place for everyone. They put their labor in service of those they might never see, for rewards that are never guaranteed. To my mind, this is a magnanimous pursuit… and about as unselfish as you can get.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

Comments are welcome!

Travel photo of the month*

*favorite travel photos that have not yet appeared in this blog

With friends on June 5th at the opening of La Rupture du Désir, Vedica Art Studios and Gallery, Paris, France

Comments are welcome!

Pearls from artists* # 657

Storm King Art Center, Cornwall-ON-Hudson, NY


*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Students told me he [Jack Gilbert] was the most extraordinary man that they’s ever encountered. He had seemed not quite of this world, they said. He seemed to live in a state of uninterrupted marvel, and he encouraged them to do the same. He didn’t so much teach them how to write poetry, they said, but why: because of delight. Because of stubborn gladness. He told them that they must live their most creative lives as a means of fighting back against the ruthless furnace of the world.

Most of all, though, he asked his students to be brave. Without bravery, he instructed, they would never be able to realize the vaulting scope of their own capacities. Without bravery, they would never know the world as richly as it longs to be known. Without bravery, their lives would remain small – far smaller than they probably wanted their lives to be.

Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear

Comments are welcome!

Q: All art media involve some level of toxicity. Do you use an air filter? How do you protect yourself against the harmful effects of working with soft pastel?

Working on “Magisterial”

A:  No, but I wear a surgical mask when I work, to prevent breathing the pastel dust.  Also, before I begin, I apply a barrier cream, called Artgard, to my hands to prevent pigment being absorbed into my skin through any tiny cuts I may have.

My easel is tilted forward, allowing pastel dust to fall onto the easel and floor. I take care that my head is always higher than my hand as I work, so the dust is below my mouth and nose. I am well aware of the toxicity of pastel and believe I take the proper precautions.  After nearly forty years working with soft pastel, so far I’ve managed to stay healthy.

Comments are welcome.

Pearls from artists* # 656

At Storm King Art Center, Cornwall-On-Hudson, NY. Photo: Susan Erlichman


*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The world needs artists more than they know, and you are entitled to be one of them. We altruistically create gifts, with no assurance those gifts will be appreciated. Like social workers, we do not make a lot of money, but we improve the quality of people’s lives through ripple effects. When our work shifts the perceptions of one viewer, the transformation often radiates to others around them. That includes dialogue and pushes the world toward more truth or justice and inspires others to do the same.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

Comments are welcome!