Category Archives: Studio

Pearls from artists* # 534

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Today I am quoting myself:

I strive to always do what is best for my art practice. It’s difficult sometimes, but it’s important to ignore most of what other people say. They mean well, but advice to artists is often misguided, especially when it is unsolicited. Fortunately, our hearts are never wrong.

B. Rachko on a Facebook post

Comments are welcome!


Q: What’s on the easel today?

Work in progress

A. I continue refining and adding more details to “Disruptor,” soft pastel on sandpaper, 26” x 20.”

Comments are welcome!

Pearls from artists* # 532

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Far from offering an escape from the world, the arts present one of the most difficult and hard-fought ways to enter into the life of our time or any other time. What the artist must first accept is the authority of an art form, the immersion in what others have done and achieved. Once the artist has begun to take all that in – it’s a process that never really ends – there comes the even greater challenge of asserting one’s freedom. It’s the limits imposed by a vocation that makes it possible to turn away from the pressures of the moment and think and feel freely – and sometimes, give the most private emotions an extraordinary public hearing. If art is the ordering of disorderly experience, and I don’t know how else to describe it, then the artist must be true both to the order and to the disorder. These are the trials of the artist and the artistic vocation. They shape the experience of anybody who reads a novel or looks at a painting or listens to a piece of music.

Jed Perl in Authority and Freedom: A Defense of the Arts

Comments are welcome!

Q: There are so many instances in the art world where paintings are discovered to be fakes. Do you think this is a potential problem where your work is concerned? Can your pastel paintings be forged?

Start
Start of “Acolytes,” soft pastel on sandpaper, 38″ x 58″
Finish
“Acolytes” finished

A: For the record, a little-appreciated fact about my pastel-on-sandpaper paintings is that they can never be forged. To detect a fake, you would only need to x-ray them. If dozens of layers of revisions are not visible under the final pastel painting, you are not looking at an original Rachko, period.

My completed paintings are the results of thousands of decisions. They are the product of an extremely meticulous, labor-intensive, and self-invented process. This is the difference between spending months thinking about and creating a painting, as I do, or a single day. It’s highly doubtful that my rigorous creative process can EVER be duplicated.

Comments are welcome!

Pearls from artists* # 531

In the Studio

* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Find joy in the process as well as in the product. The issue of recognition is in part the issue of process versus outcome. Insofar as the process brings you joy, insofar as constructing a paragraph, painting shafts of sunlight, or playing a passage fills you with awe and delight, for that hour the issue of recognition vanishes. Insofar as the effort to construct that paragraph or to master that passage is a heartfelt struggle, welling up from deep sources, for that hour the issue of recognition vanishes. Notice your joy in the work, so as to remind yourself why you embarked on this journey.

Eric Maisel in A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists

Comments are welcome!

Start/Finish of ”The Mentalist,” soft pastel on sandpaper, 26” x 20” image, 35” x 28.5” framed

Start
Finish

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Pearls from artists* # 527

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Vocation was originally a religious term. The word comes from the Latin vocatio, which means a summons, a call. To be a priest, a monk, or a nun is to accept a calling – a vocation. The sense of an imperative – of an activity that’s a necessity, an inevitability – remains very much part of the meaning of the word today. A creative vocation isn’t a job. It’s a calling, even if for most modern artists the summons is an inner necessity, not the call of some divine figure or force. Even an artist as determinedly secular as Picasso saw echoes of religious vocation in his experience as an artist. When his mistress Francoise Gilot, wondering at his concentration and stamina, asked him if when he was painting “it didn’t tire him to stand so long in one spot,” this was his response: “No. That’s why painters live so long. While I work, I leave my body outside the door, the way Moslems take off their shoes before entering the mosque.” For creative spirits the studio or stage – or wherever they do their work – is a place apart. They may recoil from describing this as a sacred space, but there’s no question that these spaces have a special significance.

Jed Perl in Authority and Freedom: A Defense of the Arts

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I began a new 26” x 20” “Bolivianos” pastel-on-sandpaper painting a few days ago.

Comments are welcome!

Pearls from artists* # 524

Barbara’s New York Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I made a decision a long time ago to recite affirmations to myself every morning in order to stay on the right track. I first start out with The Lord’s Prayer, then I thank God for the blessings that have been bestowed on me, then I ask for preservation of health, and then close with a very purposeful statement about who I am and who I want to be. Affirming myself every morning is a very important part of my daily routine, because if I don’t know who I am, someone else will decide for me. You’ve got to know who you are and where you come from in order to get where you want to go! Believing in yourself and filling your mind and soul with purpose is essential to being able to create meaningful art.

Quincy Jones in the liner notes for We Are by Jon Batiste

Comments are welcome!