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Pearls from artists* # 408

“No Cure for Insomnia,” pastel on sandpaper, 58″ x 38″ image, 70” x 50” framed

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Classics have nothing to do with aesthetic sophistication.  They use the aesthetic as a springboard to something else.  The creation of a classic will often require the artist to deviate from prevailing standards in order to push the ordinary vision through.  If there is one prerequisite for producing a classic, it is the willingness to follow the vision wherever it leads, even if it demands a breach of convention, technique, or popular taste.  (It may not even be a question of if or when, for how can one produce a truly singular work without reinventing the medium to some extent?)  We often hear that the master artist is “in love” with her material:  that the sculptor loves the marble, the dancer loves the body, the musician loves his instrument.  For the maker of classics, however, the medium always seems to be an obstacle; love is never without a tinge of spite.  William S. Burroughs was so contemptuous of language that he took to describing it as a disease.  He conceived his work as an attempt to confront language in hopes to cure the mind of the “word virus.”  Indeed, if the goal of art is to take us beyond the ordinary preoccupations to reach the heart of the Real, it would seem essential that there be a fight, a struggle to wrest from the medium something to which Consensus dictates it is not naturally inclined. 

F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action

Comments are welcome!

Q: Where do you want your work to go in the future?

Barbara's studio

Barbara’s studio

A:  Recently I answered a question about why I create, but now that I think about it, the same answer applies to what I want to do as an artist in the future:  

~ to create bold and vibrant pastel paintings and photographs that have never existed before  

~ to continue to push my primary medium – soft pastel on sandpaper – as far as I can and to use it in more innovative ways  

~ to create opportunities for artistic dialogue with people who understand and value the work to which I am devoting my life  

The last has always been the toughest.  I sometimes think of myself as Sisyphus because expanding the audience for my art is an ongoing uphill battle.  Many artist friends tell me they feel the same way about building their audience.  It’s one of the most difficult tasks that we have to do as artists.  I heard Annie Leibovitz interviewed on the radio once and remember her saying that after 40 years as a photographer, everything just gets richer.  Notice that she didn’t say it gets any easier; she said, “it just gets richer.”  I have been a painter for nearly  30 years and a photographer for 11.  I agree completely.  All artists have to go wherever our work goes.  Creating art and watching the process evolve is an endlessly fascinating intellectual journey.  I wouldn’t want to be spending my time on earth doing anything else!

Comments are welcome!

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