Category Archives: Bolivianos

Q: Do you have any big projects coming up?

With “Apparition,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed
With “Apparition,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

A: I certainly do! I have been a painter for forty years, and for most of that time, my work has been shaped by foreign travel. At seventy-two, I find myself thinking about legacy — what I want to leave behind. Documenting my creative process on film has become an essential part of this objective.

In the “Bolivianos” series, I have been creating pastel-on-sandpaper paintings that transform the vivid masks of the Bolivian Carnival into universal archetypes. I first encountered these masks at a museum in La Paz in 2017.

Circumstances have aligned perfectly for an exciting next step: another trip to Bolivia and a new documentary. Our upcoming film will be a follow-up to the award-winning “Barbara Rachko: True Grit” (released in 2023), marking a deeper exploration of my thirty-five-year engagement with folk art from Mexico, Central America, and South America.
(See https://youtu.be/JJWLy84kXI0?si=v7JHIq9ViYGgs76U)

In February 2026, I will return to Bolivia with a two-person film crew to experience Carnival firsthand — to immerse myself in its rhythm, history, and meaning. Recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity, this festival offers an extraordinary window into Bolivia’s cultural soul. 

Our film will chronicle my journey as essential research — a vital continuation of my creative inquiry over these past decades. With this trip and film, I hope to create my next body of pastel-on-sandpaper paintings, rich with color, spirit, and the enduring vitality of Oruro’s Carnival.

Comments are welcome!

Q: What’s on the easel today?

Work in progress


A: I’m in the early stages of a new 58” x 38” “Bolivianos” pastel-on-sandpaper painting.

Comments are welcome!

Pearls from artists* # 672

From Barbara’s website

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Let me now, therefore, turn directly to the question of the European individual and, for a start, cite the observations of the Swiss psychologist, Carl G. Jung, throughout whose works the term “individuation” is used to indicate the psychological process of achieving individual wholeness. Jung makes the point that in the living of our lives every one is us is required by his society to play some specific social role. In order to function in the world we are all continually enacting parts Jung calls personnae, from the Latin persona, meaning “mask, false face,” the mask worn by an actor on the Roman stage, through which he “sounded” (per-sonare, “to sound through). One has to appear in some mask or other if one is to function socially at all; and even those who choose to reject such masks can only put on others, representing rejection, “Hell no!” or something of this sort. Many of the masks are playful, opportunistic, superficial; others, however, go deep, very deep, much deeper than we know. Just as every body consists of a head, two arms, a trunk, two legs, etc., so does every living person consist, among other features, of a personality, a deeply imprinted persona through which he is made known no less to himself than to others, and without which he would not be. It is silly, therefore, to say, for example, “Let’s take off our masks and be natural!” And yet – there are masks and masks. There are the masks of youth, the masks of age, the masks of the various social roles, and the masks also that we project upon others spontaneously, which obscure them, and to which we then react.

Joseph Campbell in Myths to Live By

Comments are welcome!

Q: What’s on the easel today?

My next project!

A. I am starting another “Bolivianos” pastel painting. It’s hard to believe, but this is number 34 in the series! This body of work began in 2017 and the paintings continue to keep improving, I believe.

Comments are welcome!

Start/Finish of “Oblate,” soft pastel on sandpaper, 26” x 20”

Start

Finish

Comments are welcome!

Q: What’s on the easel today?

Work in progress


A. I’m working on “Herald,” 26” x 20,” soft pastel on sandpaper.

Comments are welcome!

Travel photo of the month*

Dropping off “Showman” at Underground, Merrifield, VA
Dropping off “Showman” at Underground, Merrifield, VA

*favorite travel photos that have not yet appeared in this blog

Comments are welcome!

Q: What’s on the easel today?

Work in progress!


A: I recently started a new small “Bolivianos” pastel painting.

Comments are welcome!

Q: What’s on the easel today?

“Showman,” almost finished!


A: I’m putting finishing touches on “Showman,” soft pastel on sandpaper, 26” x 20”.

Comments are welcome!

Q: What’s on the easel today?

Planning my next painting

A: In preparation for my next large “Bolivianos” painting, I made this preliminary charcoal drawing.

Comments are welcome!