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Pearls from artists* # 444

Barbara working on an interview. Photo: Maria Cox
Barbara working on an interview. Photo: Maria Cox

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Artists are individuals willing to articulate in the face of flux and transformation. And the successful artist finds new shapes for our present ambiguities and uncertainties. The artist becomes the creator of the future through the violent act of articulation. I say violent because articulation is a forceful act. It demands an aggressiveness and an ability to enter into the fray and translate that experience into expression. In the articulation begins a new organization of the inherited landscape.

Anne Bogart in A Director Prepares: Seven Essays on Art and Theater

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Pearls from artists* # 380

“John,” Soft Pastel on Sandpaper, 22” x 28” (image), 1989.

“John,” Soft Pastel on Sandpaper, 22” x 28” (image), 1989.

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The freedom he enjoyed came at a cost.  But those fears and irritations evaporated amid the support the artists gave one another immediately after the war.  A community developed that sustained them and gave them courage.  “You have to have confidence amounting to arrogance, because particularly at the beginning, you’re making something that nobody asked you to make,”  Elaine [de Kooning] said.  “And you have to have total confidence in yourself, and in the necessity of what you’re doing.”  That was much easier done in a group of like-minded individuals.

Mary Gabriel in Ninth Street Women

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Pearls from artists* # 374

Barbara’a studio

Barbara’a studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Finally, [John] Graham said, of all the arts, painting was the most difficult because one false move on a canvas could mean the difference between a great painting and a failure.  A writer could always resurrect a word, but a line or a shape was so ephemeral that, once changed, it was almost always lost for good.  “To create life one has to love.  To create a great work of art one has to love truth with the passion of a maniac.  If society does not perceive this love, perhaps humanity will.”  …The artists… came away… feeling as though they were not aberrations but part of a long tradition of individuals who had ignored fashion to create culture.

Mary Gabriel in Ninth Street Women

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Pearls from artists* # 205

National Gallery of Art with self-portrait

National Gallery of Art with self-portrait

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Museums empower people when they are patrons for artists and thinkers; when they amplify civic discourse, accelerate cultural change and contribute to cultural intelligence among the great diversity of city dwellers, visitors, policy makers and leaders…  Museums present beautiful, accessible and meaningful spaces in which communities and individuals can meet, exchange ideas and solve problems.

David J. Skorton, Director of the Smithsonian Institution in “What Do We Value?” Museum, May/June 2016

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Pearls from artists* 178

Barbara's studio with recent works in progress

Barbara’s studio with recent works in progress

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Most individuals have never had enough time, and they’ve never had enough resources, and they’ve never had enough support or patronage or reward… and yet they still persist in creating.  They persist because they care.  They persist because they are called to be makers, by any means necessary.

…The essential ingredients for creativity remain exactly the same for everybody:  courage, enchantment, permission, persistence, trust – and those elements are universally accessible.  Which does not mean that creative living is always easy; it merely means that creative living is always possible.  

Elizabeth Gilbert in Big Magic:  Creative Living Beyond Fear  

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Pearls from artists* # 71

New York street

New York street

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Artists are individuals willing to articulate in the face of flux and transformation.  And the successful artist finds new shapes for our present ambiguities and uncertainties.  The artist becomes the creator of the future through the violent act of articulation. I say violent because articulation is a forceful act.  It demands an aggressiveness and an ability to enter into the fray and translate that experience into expression.  In the articulation begins a new organization of the inherited landscape.

My good friend the writer Charles L. Mee, Jr. helped me to recognize the relationship between art and the way societies are structured.  He suggested that, as societies develop, it is the artists who articulate the necessary myths that embody our experience of life and provide parameters for ethics and values.  Every so often the inherited myths lose their value because they become too small and confined to contain the complexities of the ever-transforming and expanding societies. In that moment new myths are needed to encompass who we are becoming.  These new constructs do not eliminate anything already in the mix; rather, they include fresh influences and engender new formations.  The new mythologies always include ideas, cultures and people formerly excluded from the previous mythologies.  So, deduces Mee, the history of art is the history of inclusion. 

Ann Bogart in A Director Prepares:  Seven Essays on Art and Theater

Comments are welcome!

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