Category Archives: Art Works in Progress

Start/Finish of “Shadow,” soft pastel on sandpaper, 26” x 20”

Start

Finish

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I just started a new 58” x 38” pastel painting. This photo shows two days worth of work.

Comments are welcome!

Q: Why do you work in series?

Bolivianos” paintings in progress and on the walls and floor

A:  I don’t really have any choice in the matter.  It’s more or less the way I have always worked so it feels natural.  Art-making comes from a deep place.  In keeping with the aphorism ars longa, vita brevis, it’s a way of making one’s time on earth matter.  Working in series mimics the more or less gradual way that our lives unfold, the way we slowly evolve and change over the years.  Life-altering events happen, surely, but seldom do we wake up drastically different – in thinking, in behavior, etc. – from what we were the day before.  Working in series feels authentic.  It helps me eke out every lesson my paintings have to teach.  With each completed piece, my ideas progress a step or two further. 

I remember going to the Metropolitan Museum to see an exhibition called, “Matisse:  In Search of True Painting.”  It demonstrated how Matisse worked in series, examining a subject over time and producing multiple paintings of it.  Matisse is my favorite artist of any period in history.  I never tire of seeing his work and this particular exhibition was very enlightening. As I studied the masterpieces on the wall, I recognized a kindred spirit and thought, “Obviously, working in series was good enough for Matisse!”    

Comments are welcome!

Q: Can you explain how your current work relates to Jungian archetypes?

In progress: “Wise One,” soft pastel on sandpaper, 58” x 38”

A: Here’s an example. The passage below is from Carl Jung: Knowledge in a Nutshell by Gary Bobroff.

The Wise Old Man or Woman is a figure found throughout folklore and mythology.  They possess superior understanding and also often a more developed spiritual or moral character.  Frequently, such characters provide the information or learning that the Hero needs to move forward in their quest.  In Star Wars, Ben Kenobi plays the teacher to Luke, introducing purpose and knowledge into the young Hero’s life.  Where the Hero brings drive, courage, and direct action, the Wise Old One introduces the importance of the opposing values of thought and questioning.  Jung describes it thus:  ‘Often the old man in fairytales asks questions like who? Why? Whence? Wither?  For the purpose of inducing self-reflection and mobilizing the moral forces.’

The Wise One may appear in disguise to test the character of others.  In the second Star Wars film, The Empire Strikes Back (1980), Luke’s mentor Yoda does not reveal himself as such when they first meet.  He waits, asking questions that test Luke’s motivation for being there.  Jung associated the Trickster archetype with the Wise One, and the use of disguise emphasizes this correlation.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: “The Moralist,” soft pastel on sandpaper, 26”x 20,” awaits finishing touches.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I continue adding details to “Wise One,” soft pastel on sandpaper, 58” x 38.”

Comments are welcome!

Q: What is your best advice for new artists?

Recent pastel paintings in progress


A: I would say to remember that artists work from our hearts. Well-meaning people will give you unsolicited, contradictory, and confusing advice about what to paint, how to paint, etc. Artists must learn to ignore most of it and listen to our hearts. Continue working from a place deep inside you and you will always stay on the right track.

Comments are welcome!

Q: What’s on the easel today?

Just about finished!

A: I am putting finishing touches on “Shadow,” soft pastel on sandpaper, 26” x 20.”

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I am planning my next pastel painting and the photo above shows a preliminary charcoal sketch for it. I’m continuing to study the effects of scaling my work up or down. This piece will be a smaller, 26” x 20,” version of “The Orator,” 38” x 58” (image), 50” x 70” (framed), from 2017.

Comments are welcome!

Start/Finish of “Disruptor,” soft pastel on sandpaper, 26” x 20” image, 35” x 28.5” framed

Start

Finish

Comments are welcome!