Blog Archives

Q: What is your favorite thing about creating on sandpaper? (Cassandra Alvarado Oliphant via Instagram)

Ready to start

Ready to start

A:  Undoubtedly, I could not make my work without UART sandpaper since my entire pastel technique evolved around it.   I use 400 and 500 grit.  My favorite thing about it is its ‘tooth’ (i.e. texture or roughness). 

Over the many months I spend creating a painting, I build layer upon layer of soft pastel.  Because this paper is relatively “toothy,” it accepts all of the pastel the painting needs.  And as many people know, I own and use thousands of soft pastels!  

Many layers of soft pastel and several months of studio time go into creating each painting.  My self-invented technique is analogous to the glazing techniques used by the Old Masters, who slowly built up layers of thin oil paint to achieve a high degree of finish.  Colors were not only mixed physically, but optically.  

Similarly, I gradually build up layers of soft pastel, as many as thirty, to create a pastel painting.  After applying a color, I blend it with my fingers and push it into the sandpaper’s tooth.  It mixes with the color beneath to create a new color, continually adding richness, saturation, and intensity to the piece.  By the time a pastel painting is finished, the colors are bold, vibrant, and exciting.

Comments are welcome!           

Top Instagram Posts for 2019

New Year’s Day is almost here so I decided to depart from the usual.  Here are my most popular images posted on Instagram in 2019.  

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With Jenny Holzer – she’s waiving hello – at Rockefeller Center

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Photo: Izzy Nova

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Photo: Izzy Nova

 

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Photo: Izzy Nova

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More than 49,000 now!

Please consider following my work at https://Instagram.com/barbararachko_artist.

Comments are welcome!

Q: What art marketing activities do you put into practice regularly that work most successfully for you?

"White Star," 38" x58", ready to go to the framer

“White Star,” 38″ x58″, ready to go to the framer

A:  This blog continues to be a crucial part of my overall art practice.  Blogging twice a week forces me to think deeply about my work and to explain it clearly to others.  The process has helped develop a better understanding about why I make art and has encouraged me to become a better writer.

As far as art marketing, one crucial activity is to take my blog posts and repurpose them for posting on social media sites.  Several years ago I realized it’s necessary to put as much time and energy into getting my work seen online as it is to create it.  

With the help of my assistant I stay active on Facebook, LinkedIn, Twitter, Instagram, and Pinterest.  I have sold paintings, in the 5-figure price range, through Facebook connections. Recently an art critic reconnected with me via LinkedIn and went on to write a scholarly essay about my “Black Paintings.”  In December she’s presenting a paper at Oxford University and will speak about my work.

I find online marketing to be a constant challenge, but it does yield rewards.  You never know what might happen.

Comments are welcome!        

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