Blog Archives

Q: What’s on the easel today?

Work in progress

A: I continue working on “Narcissist,” soft pastel on sandpaper, 20” x 26”.

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I continue working on “Apparition,” soft pastel on sandpaper, 58” x 38” (left) and “Narcissist,” 20” x 26,” soft pastel on sandpaper (right).

Comments are welcome!

Pearls from artists* # 557

"Broken," soft pastel on sandpaper, 38" x 58" image, 50" x 70" framed
“Broken,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It is true that art, while indebted to tradition, is usually at odds with it; art is about the thrill of mutiny. Young painters and sculptors are particularly unwilling to be hampered by the past, especially if that past is encased in the cement shoes of gender. But familiarity with tradition can be liberating for an artist because it provides a map illustrating the route other people have taken, which is especially valuable at the start of such a perilous journey. Male artists can inspire and instruct, surely. Artistic concerns are gender neutral. But there are social and personal issues a woman artist faces that cannot be found in the stories of men; these are the obstacles confronted and obstacles overcome. The poet Adrienne Rich wrote, “For spiritual values and a creative tradition to continue unbroken we need concrete artifacts, the work of hands, written words to read, images to look at, a dialogue with brave and imaginative women who came before us.It’s instructive as well as comforting to know how other women have managed and what other women have dared. It’s also gratifying to find in their stories an occasional energizing dose of inspiration.

Mary Gabriel in Ninth Street Women

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I continue adding details to “Wise One,” soft pastel on sandpaper, 58” x 38.”

Comments are welcome!

Q: What is your best advice for new artists?

Recent pastel paintings in progress


A: I would say to remember that artists work from our hearts. Well-meaning people will give you unsolicited, contradictory, and confusing advice about what to paint, how to paint, etc. Artists must learn to ignore most of it and listen to our hearts. Continue working from a place deep inside you and you will always stay on the right track.

Comments are welcome!

Q: What advice would you give to a young artist with potential?

Barbara’s studio (since April 1997)

A:  I last answered this question in my blog more than ten years ago and I would say similar things now to what I said then.

Be sure that you love your process unconditionally because there is no relationship between how hard you will work and how much money you will earn, period.  Indeed, with inflation and rapidly evolving ways of doing business, it seems to cost more money every year to be an artist.  As I’ve said often, be prepared to work very, very hard. Really it’s all about making the most of your gifts as an artist.  If you don’t feel a deep responsibility to developing your talents as far as possible, you won’t have what it takes to keep going.  Countless artists quit and no one can blame them.  You absolutely must love your materials and your creative process and be willing to do whatever it takes to continue making art.  

This is not a life for slackers!

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A: I continue working on “Shadow,” soft pastel on sandpaper, 26” x 20”

Comments are welcome!

Pearls from artists* # 539

View from Pier 57, New York, NY

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It is important to consider, when cities like New York continue a process of gentrification that make them unlivable for most artists and intellectuals, that the community Schloss describes was to some extent brought into being by a number of radically different circumstances: first, immigration – in some cases, such as de Kooning, illegal, and in others, such as Schloss, forced by war and politics – and second, the existence in post-Great Depression New York of cheap rents for run-down spaces that no one other than artists would consider or would be able to make not just livable but eventually fashionable.

Mira Schor in The Loft Generation: From the de Koonings to Twombly, Portraits and Sketches 1942-2011 edited by Mary Venturini

Comments are welcome!

Q: What’s on the easel today?

Work in progress

A. I continue refining and adding more details to “Disruptor,” soft pastel on sandpaper, 26” x 20.”

Comments are welcome!

Q: To what extent will the world of art change in the post-COVID period – both in terms of what is created and also the business of art? (Question from artamour)

Barbara’s Studio

A: We all still wonder how the art world will change post-COVID. (Will there ever be a time when we can say we are post-COVID?). I know that I will continue refining and developing my art practice and seeking out new business opportunities.  I have been an artist long enough to know that I will always follow my own path (each pastel painting points to the next one) regardless of what is going on in the larger world. How could I not do so? In large part due to an extensive social media program carried out by my two able assistants, the COVID period has been a personal boon.  I completed a short documentary film about my life and work. It is in post-production now. I gained representation with three new international galleries. My blog is attracting approximately 1,000 – 2,000 new subscribers every month and I continue receiving requests for interviews from around the world.

Comments are welcome!