Category Archives: New York, NY

Pearls from artists* # 204

Barbara's studio with work in progress

Barbara’s studio with work in progress

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It has been said that science helps us understand what we can do; the arts and humanities – our culture and values – help us decide what to do.  Studying the arts and humanities develops critical-thinking skills and nimble habits of mind, provides historical and cultural perspective and fosters the ability to analyze, synthesize and communicate.

As author Daniel Pink observed, “The last few decades have belonged to a certain kind of person with a certain kind of mind – computer programmers who could crank code, lawyers who could craft contracts, MBAs who could crunch numbers…  The future belongs to a very different kind of mind – creators and empathizers, pattern recognizers and meaning makers.  These people – artists, inventors, designers, storytellers, caregivers, consolers, big-picture thinkers – will now reap society’s richest rewards and share its greatest joys.”

David J. Skorton, Director of the Smithsonian Institution in “What Do We Value?” Museum, May/June 2016

Comments are welcome!

Start/Finish of “Alone Together,” soft pastel on sandpaper, 20″ x 26″

Initial charcoal sketch on sandpaper

Initial charcoal sketch on sandpaper

Finished painting

Finished painting

Comments are welcome!

Q: Can you describe a single habit that you believe contributes to your professional success?

Barbara's studio with work in progress

Barbara’s studio with work in progress

A:  It’s probably the fact that I keep regular studio hours.  Contrary to the cliche of artists working in spurts, I continually work in the studio at least seven hours a day, five days a week, with Wednesdays and Sundays as my days off.  I devote another two hours or so in the mornings and evenings for art business tasks:  email, sending out jpegs, social media, etc.  I always remember something Katharine Hepburn said:  “Without discipline there is no life.”

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am in the early stages on a large pastel painting.  I’ve applied about 5 layers of pastel so far.  

Comments are welcome!

Pearls from artists* # 200

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Why Art?

Because you will never have to change batteries or remember passwords or read directions or fear obsolescence.

Questroyal Fine Art, LLC, ad in The New Yorker, issue of April 11, 2016

Comments are welcome!

 

Q: What historical art movement do you most identify with?

Barbara's studio

Barbara’s studio

A:  I’d have to say that I identify most with surrealism, although my work does not exactly fit into any particular art historical movement.  When I was first finding my way as an artist, I read everything I could find about surrealism in art and in literature.  This research still res0nates deeply and is a tremendous influence on my studio practice.  Elements of surrealism DO fit my work.  Here’s an excerpt from Wikipedia:

Surrealism is a cultural movement that began in the early 20s and is best known for its visual artworks and writings.  The aim was to “resolve the previously contradictory conditions of dream and reality.”  Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself.  

Surrealist works feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artifact.  Leader Andre Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement.

I hope to expand on this in a future post.

Comments are welcome!            

Start/Finish of “Judasing,” soft pastel on sandpaper, 58″ x 38″

Preliminary charcoal sketch on sandpaper

Preliminary charcoal sketch on sandpaper

Finished painting, before signing

Finished painting, before signing

Comments are welcome!

Q: What is your favorite art museum?

The Great Hall at the Met

The Great Hall at the Met

A:  My favorite art museum is the Metropolitan Museum of Art in New York.  The Met is peerless!  The breadth and quality of the collection is nearly inexhaustible.  It’s my library, the place I go to for inspiration and to deepen and broaden my knowledge of art.  The Met is a treasure for every working artist.  

Comments are welcome!   

Q: What’s on the easel today?

Work in progress

Work in progress

A:  “White Star,” soft pastel on sandpaper, 38″ x 58,” is awaiting its finishing touches.  

Comments are welcome!

Start/Finish of “Dichotomy,” soft pastel on sandpaper, 38″ x 58″

Initial charcoal sketch on sandpaper

Initial charcoal sketch on sandpaper

Finished painting

Finished painting

Comments are welcome!