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Q: Foreign travel has long been a significant aspect of your work. What are your views on cultural appropriation?

On Lake Titicaca, Bolivia

A: For more than three decades my inspiration and subject matter have come mainly from international travel to remote parts of the globe. I daresay there is no better education than travel. The result is that I possess a deep love and reverence for people and cultures all over the world. We are all connected by our shared humanity.

I wholeheartedly agree with what Henry Louis Gates eloquently expressed in the NY Times Book Review of October 12, 2021. Additions are mine.

Any teacher, any student, any writer, [any artist] sufficiently attentive and motivated, must be able to engage freely with subjects of their choice. That is not only the essence of learning; it’s the essence of being human.

And

What I owe to my teachers – and to my students – is a shared sense of wonder and awe as we contemplate works of the human imagination across space and time, works created by people who don’t look like us and who, in so many cases, would be astonished that we know their work and their names. Social identities can connect us in multiple and overlapping ways; they are not protected but betrayed when we turn them into silos with sentries. The freedom to write [and make art] can thrive only if we protect the freedom to read – and to learn. And perhaps the first thing to learn, in these storm-battered days, is that we could all do with more humility, and more humanity.

Comments are welcome!

Pearls from artists* # 430

Barbara at work on “Schemer,” Soft Pastel on Sandpaper, 26” x 20”

Barbara at work on “Schemer,” Soft Pastel on Sandpaper, 26” x 20”

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

 In art there must be a governing thought expressed eloquently.  We must have it in ourselves, and stamp upon others, just as a medal is stamped… Art is not a pleasure trip; it is a battle, a mill that grinds.  I’m not a philosopher.  I don’t want to stop pain, or find a formula that makes me indifferent or stoic.  Pain is, perhaps, that which makes the artist express himself most distinctly.         

Jean Francois Millet quoted by Mariella Guzzoni in Vincent’s Books:  Van Gogh and the Writers Who Inspired Him 

Comments are welcome!

Q: Please describe your artistic self in six words.

Alli's backyard

Alli’s backyard

A:  Talking about myself I would say, “Seeker of color, light, and beauty;” on my creative journey, “Driven to communicate eloquently with less;” and concerning my artistic practice as a whole, “Excellence, authenticity, and integrity above everything.”   

Comments are welcome!

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