Category Archives: 2026

Pearls from artists* # 704

“Wise One,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Why do we do art? There may be multiple and serious motivations, such as opening people’s eyes to injustice or saving the world; but if the activity to save the world doesn’t give us joy, what’s the point of having a world, and how will we have the wholeness and energy to carry on? This whole adventure of creativity is about joy and love. We live for the pure joy of being, and out of that joy unfold the ten thousand art forms and all the branches of learning and compassionate activity.

Stephen Nachmanovitch in Free Play: Improvisation in Art and Life

Comments are welcome!

Travel photo of the month*

*favorite travel photos that have not yet appeared in this blog

Salar de Uyuni, Bolivia

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Q: What’s on the easel today?

Work in progress

A: I continue slowly working on “Metamorph,” 26” x 20,” soft pastel on sandpaper.

Comments are welcome!

Pearls from artists* # 702

“Oblate,” soft pastel on sandpaper, 26” x 20”

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

The most noteworthy hurdle we face as artists is the brutal ‘Why should I care?’ Why, out of all the millions of art objects and experiences vying for our attention, should someone spend time on ours? We cannot share our visions with people if we cannot get them to stop and look at our work. Louise Bourgeois said, ‘Art is a seduction,’ but there are many different types of seduction. There should be something about our work that speaks to those with similar sensibilities, that sends them a secret signal.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

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Start/Finish of “Magisterial,” soft pastel on sandpaper, 58” x 38”

Start

Finish

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Q: What’s a moment that really shaped how you see the world? (Question from Bold Journey)

Bryan and Barbara, 1999
Bryan and Barbara, 1999

A: On September 11, 2001, my husband, Bryan Jack, was a passenger on the plane that was hijacked and crashed into the Pentagon. Losing Bryan was devastating beyond words. We were newly married, and he was my soulmate.

That day reshaped my life. I learned not to waste precious time because everything can change in an instant. In the studio, I push myself and the pastel medium to new technical heights. When I complete one task, my first thought is always: “What’s next?”

Comments are welcome!

Pearls from artists* # 700

With friends at Christie’s, 75108 Paris

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Let’s talk about courage now.

If you already have the courage to bring forth the jewels that are hidden within you, terrific. You’re probably already doing really interesting things with your life, and don’t need this book. Rock on.

But if you don’t have the courage, let’s try to get you some. To use creative living is a path for the brave. We all know this. And we all know when courage dies, creativity dies with it. We all know that fear is a desolate boneyard where our dreams go to desiccate in the hot sun. This is common knowledge; sometimes we just don’t know what to do about it.

Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear


Comments are welcome!

Travel photo of the month*

*favorite travel photos that have not yet appeared in this blog

In Oruro with Rodrigo Paz, the President of Bolivia

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Pearls from artists* # 699

Panorama of Barbara’s Studio


*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

In the beginner’s mind there are many possibilities, in the advanced there are few. You are an artist and it’s too late to back out. You have no choice, now or in a year or two, but to take aim upon your life and discard all the debris that holds you back from doing what you know you have to do.

Letter from Ted Orland to Sally Mann in Art Work: On the Creative Life by Sally Mann

Comments are welcome!

Q: What’s on the easel today?

26” x 20” pastel painting in progress

A: I’ve just started a new “Bolivianos” pastel painting based on a photo captured at MUSEF La Paz during my February trip to Bolivia.

Comments are welcome!