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Pearls from artists* # 624

View from New York City

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Van Gogh’s drawings show a truly remarkable improvement over the course of the two years he set aside to intensely practice drawing. At the start of that period his sketches look clumsy and amateurish. With great ardor, thoughtfulness, and effort – by manifesting his creativity, in short – at the end of those two years Van Gogh was producing drawings that showed not only that he had mastered elements of technique but also that he had educated himself in ways that moved him far ahead of his classically trained peers.

Van Gogh’s progress excites the artist. It seems to hold the clear implication that by acting creatively the artist may significantly increase his talents or make manifest significant talent he didn’t know he possessed. Maybe a brilliant novel is within his grasp. Maybe he can achieve a breakthrough in the visual arts. Maybe he can play his instrument like a god.

Eric Maisel in A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists

Comments are welcome!

Q: When did you begin drawing and painting? (Question from “Cultured Focus Magazine”)

In the studio
In the studio

A: This is a long story because my path to becoming a professional artist has been unusually circuitous.  

I  grew up in a blue collar family in suburban New Jersey. My parents were both first-generation Americans and no one in my family had gone to college. I was a smart kid, who showed some artistic talent in kindergarten and earlier. At the age of 6, my sister, my cousin, and I enrolled in Saturday morning painting classes at the studio of a local artist. I continued the classes for about 8 years and became a fairly adept oil painter.

At the age of 15 my father decided that art was not a serious pursuit – he called it a hobby, not a profession – and abruptly stopped paying for my Saturday morning lessons. Unfortunately, there were no artists or suitable role models in my family. So with neither financial nor moral support to pursue art, I turned my attention to very different interests.

Cut to ten years later. When I was 25, I earned my private pilot’s license and spent the next two years amassing other flying licenses and ratings, culminating in a Boeing-727 flight engineer’s certificate. 

At 29, I joined the Navy. By then I was an accomplished civilian pilot with thousands of flight hours so I expected to fly jets. However, in the early 1980s women were not allowed in combat.  There were very few women Navy pilots and those few were restricted to training male pilots. There were no women pilots landing on aircraft carriers.

In the mid-1980s I was in my early 30s, a lieutenant on active duty in the Navy, working a soul-crushing job as a computer analyst on the midnight shift in a Pentagon basement. It was literally and figuratively the lowest point of my life.  I was completely bored and miserable. 

Remembering the joyful Saturdays of my youth when I had taken art classes with a local New Jersey painter, I enrolled in a drawing class at the Art League School in Alexandria, Virginia. Initially I wasn’t very good, but it was wonderful to be around other women  and a world away from the mentality of the Pentagon. I was having fun again! I enrolled in more classes and became a very motivated full-time art student who worked nights at the Pentagon. As I studied and improved my skills, I quickly discovered my preferred medium – soft pastel on sandpaper. 

Although I knew I had found my calling, for more than a year I agonized over whether or not to leave the financial security of a Navy paycheck.  Finally I did make up my mind and resigned my commission, effective on September 30, 1989. With Bryan’s (my then boyfriend’s) support, I left the Navy to devote my time to making art.

I’m probably one of the few people who can name THE day I became a professional artist! That day was October 1, 1989. Fortunately, I have never needed another job. I remained in the Navy Reserve for the next 14 years, working primarily at the Pentagon for two days each month and two weeks each year. I commuted by train to Washington, DC after I moved to Manhattan in 1997.  Finally on November 1, 2003, I officially retired as a Navy Commander.

Life as a self-employed professional artist is endlessly varied, fulfilling, and interesting. I have never regretted my decision to pursue art full-time.

Comments are welcome!