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Pearls from artists* # 315

"The Champ," soft pastel on sandpaper, 26" x 20"

“The Champ,” soft pastel on sandpaper, 26″ x 20″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A work of art is good if it has sprung from necessity.  In this nature of its origin lies the judgment of it:  there is no other.  Therefore, my dear sir, I know of no advice for you save this:  to go into yourself and test the deeps in which your life takes rise; at its source you will find the answer to the question whether you must create.  Accept it, just as it sounds, without inquiring into it.  Perhaps it will turn out that you are called to be an artist.  Then take that destiny upon yourself and bear it, its burden and its greatness, without ever asking what recompense might come from outside.  For the creator must be a world unto himself and find everything in himself and in Nature to whom he has attached himself.    

Rainer Maria Rilke, Letters to a Young Poet, Translated by M.D. Herter Norton

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Pearls from artists* # 44

Studio view

Studio view

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I cannot even imagine the individual arts sufficiently distinct from one another.  This admittedly exaggerated attitude might have its most acute origin in the fact that in my youth, I, quite inclined toward painting, had to decide in favor of another art so as not to be distracted.  And thus I made this decision with a certain passionate exclusivity.  Based on my experience, incidentally, every artist needs to consider for the sake of intensity his means of expression to be basically the only one possible while he is producing.  For otherwise he could not easily suspect that this or that piece of world would not be expressible by his means at all and he would finally fall into that most interior gap between the individual arts, which is surely wide enough and could be genuinely bridged only by the vital tension of the great Renaissance masters.  We are faced with the task of deciding purely, each one alone, on his one mode of expression, and for each creation that is meant to be achieved in this one area all support from the other arts is a weakening and a threat.

Ulrich Baer, editor, The Wisdom of Rilke

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Pearls from artists* # 22

Alexandria living room

Alexandria living room

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

So inclination you see is not lacking, and yet in all probability I shall have to try right here to clamber in the dark and all alone over the crest of the year, so to speak, for disciplinary reasons.  I shall not deserve it otherwise, that is:  I have long wanted to be here all alone, strictly alone, to go into my cocoon, to pull myself together, in short, to live by my heart and nothing else.  Now since day before yesterday I have really been here all alone inside the old walls – outside, the sea, outside, the Karst, outside, the rain, perhaps tomorrow the storm – now must appear what is within by way of counterweight to such great and fundamental things.  So, if something quite unexpected does not come, it may be the right thing to say, to hold out, to hold still with a kind of curiosity toward oneself, don’t you think?  That is how things stand, and if I stir now everything will shift again; and then hearts are labeled, like certain medicines:  shake before taking; I have been continually shaken in these last years, but never taken, that is why it is better that I should quietly arrive at clarity and precipitation…    

Jane Bannard Greene and M.D. Herter Norton, translators, Letters of Rainer Maria Rilke 1910 – 1926

Comments are welcome!