Blog Archives

Pearls from artists* # 315

"The Champ," soft pastel on sandpaper, 26" x 20"

“The Champ,” soft pastel on sandpaper, 26″ x 20″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A work of art is good if it has sprung from necessity.  In this nature of its origin lies the judgment of it:  there is no other.  Therefore, my dear sir, I know of no advice for you save this:  to go into yourself and test the deeps in which your life takes rise; at its source you will find the answer to the question whether you must create.  Accept it, just as it sounds, without inquiring into it.  Perhaps it will turn out that you are called to be an artist.  Then take that destiny upon yourself and bear it, its burden and its greatness, without ever asking what recompense might come from outside.  For the creator must be a world unto himself and find everything in himself and in Nature to whom he has attached himself.    

Rainer Maria Rilke, Letters to a Young Poet, Translated by M.D. Herter Norton

Comments are welcome!

Pearls from artists* # 224

"Poker Face," soft pastel on sandpaper, 38" x 58" image, 50" x70" framed

“Poker Face,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

… wise writers decline to engage in debates over the right way to read their words.  T.S. Eliot was once approached with a question about a cryptic line from his poem “Ash-Wednesday”: “Lady, three white leopards sat under a juniper-tree.”  What did the line mean?  The poet replied:  “I mean, ‘Lady, three white leopards sat under a juniper-tree .”  Creating a text, Eliot  seems to be saying, like having a child, only means bringing something into the world.  It doesn’t include the power to control it’s destiny.

Adam Kirsch in “Can You Read a Book the Wrong Way?”, The New York Times Book Review, Sept. 27, 2016.    

Comments are welcome!