Blog Archives

Pearls from artists* # 664

Working
Working

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Throughout history, geniuses have attributed their breakthroughs to the time they spent alone, deep in thought. Frank Kafka assures us,

‘You need not leave your room. Remain sitting at your table and listen. You need not even listen, simply wait. You need not even wait, just learn to become quiet, and still, and solitary. The world will freely offer itself to you to be unmasked. It has no choice; it will roll in ecstasy at your feet.’

Artists have a special relationship with the passing hours. Our work is tangible evidence of how we mark and give value to time. We have a finite, unknown number of hours on Earth, so we will only leave behind so many pieces. Our artistic legacy is literally tied to our ability to steal time and maintain silence.

And yet, we exist in a time and place with a tremendous aversion to peace. We must fight both ourselves and others to acquire it. No one asked us if this is the kind of environment we want to inhabit. Corporations inundate every square inch of space with uninvited visual and auditory interference, designed to light up the addiction pleasure centers in our brains. Our ancestors would have found this environment assaulting and maddening. It is certainly causing damage to our mental health, happiness, and creativity. But, it is so ubiquitous that there is pressure to simply accept the anxiety-producing ‘new normal’: we have collectively surrendered our brain space to the colonization.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

Comments are welcome!

Pearls from artists* # 529

Barbara’s Studio

* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

All sorts of novelists, composers, choreographers, poets, and painters find themselves engaged in the challenges of authority and freedom that are the lifeblood of the arts. Art is a way of life – and not only or even essentially for geniuses. An artistic community – to whatever degree it may be joined by social, economic, or other concerns – is fundamentally united by the imperatives of a vocation as they are shaped in a particular time. Genius doesn’t emerge ex nihilo. And it doesn’t have a unique relationship with authority and freedom. Whatever truth there is to Walter Benjamin’s comment, apropos of Proust’s novel, that certain masterpieces begin or end a genre, it’s usually true that every masterpiece reaffirms the fundamental character of a form. For every epochal achievement that we may see as an assertion of unexpected degrees of freedom (Beethoven’s final quartets or Shakespeare’s last plays), there are others that reaffirm the pressure of tradition (an example is Raphael’s neoclassical designs for tapestries representing scenes from the lives of Saint Peter and Saint Paul). For every creative spirit, the great as well as the merely good, there is a sense in which the wager is the same.

Jed Perl in Authority and Freedom: A Defense of the Arts

Comments are welcome!

Pearls from artists* # 337

Barbara’s studio

Barbara’s studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I think society did a great disservice to artists when we started saying they were geniuses, instead of saying they had geniuses.  That happened around the Renaissance, with the rise of a more rational and human-centered view of life.  The gods and the mysteries fell away, and suddenly we put all credit and blame for creativity on the artists themselves – making the all-too-fragile humans completely responsible for the vagaries of inspiration.

In the process, we also venerated art and artists beyond their appropriate stations.  The distinction of “being a genius” (and the rewards and status often associated with it) elevated creators into something like a priestly cast – and perhaps even into minor deities – which I think is a bit too much pressure for mere mortals, no matter how talented.  That’s when artists start to really crack, driven mad and broken in half by the weight and weirdness of their gifts.       

Elizabeth Gilbert in Big Magic:  Creative Living Beyond Fear

Comments are welcome!