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Pearls from artists* # 529

Barbara’s Studio

* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

All sorts of novelists, composers, choreographers, poets, and painters find themselves engaged in the challenges of authority and freedom that are the lifeblood of the arts. Art is a way of life – and not only or even essentially for geniuses. An artistic community – to whatever degree it may be joined by social, economic, or other concerns – is fundamentally united by the imperatives of a vocation as they are shaped in a particular time. Genius doesn’t emerge ex nihilo. And it doesn’t have a unique relationship with authority and freedom. Whatever truth there is to Walter Benjamin’s comment, apropos of Proust’s novel, that certain masterpieces begin or end a genre, it’s usually true that every masterpiece reaffirms the fundamental character of a form. For every epochal achievement that we may see as an assertion of unexpected degrees of freedom (Beethoven’s final quartets or Shakespeare’s last plays), there are others that reaffirm the pressure of tradition (an example is Raphael’s neoclassical designs for tapestries representing scenes from the lives of Saint Peter and Saint Paul). For every creative spirit, the great as well as the merely good, there is a sense in which the wager is the same.

Jed Perl in Authority and Freedom: A Defense of the Arts

Comments are welcome!

Q: Do you have any essential words that you live by?

Studio wall

Studio wall

A:  I certainly do!  When I left the active duty Navy in 1989, my co-workers threw a farewell party.  One of the parting gifts I received was a small plaque from Tina Greene, a young enlisted woman whom I had supervised.  The words on the plaque deeply resonated with me, since I was about to make a significant, risky, and scary career change.  It was the perfect gift for someone facing the uncertainty of an art career. 

Many years later Tina’s plaque is still a proud possession of mine.  It is hanging on the wall behind my easel, to be read every day as I work.  It says:

“Excellence can be attained if you…

Care more than others think is wise…

Risk more than others think is safe…

Dream more than others think is practical…

Expect more than others think is possible.”

Comments are welcome!

Pearls from artists* # 67

Negombo, Sri Lanka

Negombo, Sri Lanka

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

John Robin Baitz:  I was just thinking that you still manage to write with some kind of miraculous hope.

Athol Fugard:  You’ve got to.  Implicit in the act of creation on the part of the artist is:  I make it because I want to share it with you.  At the end of my process you are waiting for me… Pascal says “Imagine a cell in darkness and the inmates are shackled together.  Every morning at dawn, the door opens and the person at the end of the line is taken out and executed and the door is closed.  Those left behind read their fate in the opening and closing of the door every day.  it is a  metaphor of the human condition.”  That is Pascal.

Camus comes to that paragraph and says, “There is no question about it – that is an image of the human condition.  What do we do during those 24 hours between the opening and closing of the door?  Do we cry?  Or do we tap the next person in the chain and say ‘What’s your name?  I’m Athol Fugard.  Who are you?'”  And that’s how we create meaning.  At the end of the process you are waiting.  And that is the act of faith.  That is the hope that every artist has.    

Quoted by Anne Bogart in “and then you act:  making art in an unpredictable world

Comments are welcome! 

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