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Pearls from artists* # 529

Barbara’s Studio

* an ongoing series of quotations – mostly from artists to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

All sorts of novelists, composers, choreographers, poets, and painters find themselves engaged in the challenges of authority and freedom that are the lifeblood of the arts. Art is a way of life – and not only or even essentially for geniuses. An artistic community – to whatever degree it may be joined by social, economic, or other concerns – is fundamentally united by the imperatives of a vocation as they are shaped in a particular time. Genius doesn’t emerge ex nihilo. And it doesn’t have a unique relationship with authority and freedom. Whatever truth there is to Walter Benjamin’s comment, apropos of Proust’s novel, that certain masterpieces begin or end a genre, it’s usually true that every masterpiece reaffirms the fundamental character of a form. For every epochal achievement that we may see as an assertion of unexpected degrees of freedom (Beethoven’s final quartets or Shakespeare’s last plays), there are others that reaffirm the pressure of tradition (an example is Raphael’s neoclassical designs for tapestries representing scenes from the lives of Saint Peter and Saint Paul). For every creative spirit, the great as well as the merely good, there is a sense in which the wager is the same.

Jed Perl in Authority and Freedom: A Defense of the Arts

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Pearls from artists* # 409

Recent works in progress

Recent works in progress

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Poets can look at a painting and understand it without having it spelled out [and] painters can read poetry… People say, I don’t understand what it means, about John Ashbery’s poetry.  Painters would never say that… The idea of “I don’t understand what it means,” looking at abstract painting and saying, “Explain it to me, what does it mean?”  You don’t say that, and you don’t ask people to explain music.  And so, poets, painters, composers don’t need explanations.  Explanations are for other people… burdened by logic.

Elaine de Kooning quoted in Mary Gabriel in Ninth Street Women

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Pearls from artists* # 88

Teotihuacan

Teotihuacan

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

To men like Ayers, it occurs to me, this temple is civilization.  The masses, slaves, peasants, and foot soldiers exist in the cracks of its flagstones, ignorant even of their ignorance.  Not so the great statesmen, scientists, artists, and most of all, the composers of the age, any age, who are civilization’s architects, masons, and priests.  Ayers sees our role is to make civilization ever more resplendent.  My employer’s profoundest, or only, wish is to create a minaret that inheritors of Progress a thousand years from now will point to and say, “Look, there is Vyvyan Ayers!”

How vulgar, this hankering after immortality, how vain, how false.  Composers are merely scribblers of cave paintings.  One writes music because winter is eternal and because, if one didn’t, the wolves and blizzards would be at one’s throat all the sooner.

David Mitchell in Cloud Atlas

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