Blog Archives

Pearls from artists* # 337

Barbara’s studio

Barbara’s studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

I think society did a great disservice to artists when we started saying they were geniuses, instead of saying they had geniuses.  That happened around the Renaissance, with the rise of a more rational and human-centered view of life.  The gods and the mysteries fell away, and suddenly we put all credit and blame for creativity on the artists themselves – making the all-too-fragile humans completely responsible for the vagaries of inspiration.

In the process, we also venerated art and artists beyond their appropriate stations.  The distinction of “being a genius” (and the rewards and status often associated with it) elevated creators into something like a priestly cast – and perhaps even into minor deities – which I think is a bit too much pressure for mere mortals, no matter how talented.  That’s when artists start to really crack, driven mad and broken in half by the weight and weirdness of their gifts.       

Elizabeth Gilbert in Big Magic:  Creative Living Beyond Fear

Comments are welcome!

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I am in the very early stages of a large pastel painting.  I have never painted any of these figures before and they originated in different parts of the world.  The bird (left) is from the Brooklyn Museum’s store, although it was hand carved in Guatemala.  The standing figure is carved wood with beautiful painted details.  It was a lucky find on a trip to Panajachel, Guatemala.  The armadillo (red and grey) was made by one of my favorite Mexican folk artists (now deceased) and I believe it’s one of the last pieces he completed.  It is a papier mâché figure that I found in a small shop in Mexico City.  The figure on the upper right is a wooden mask bought from a talkative and talented artist at a hotel in Kandy, Sri Lanka.  It depicts nagas (cobras), although you can’t tell that yet in the painting.

Comments are welcome!

Pearls from artists* # 57

Studio corner

Studio corner

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

You are talented and creative.  You rarely block, and when you do block you know how to move yourself along.  Your moods are not incapacitating and you haven’t stepped over into madness.  Your personality is sufficiently integrated that your necessary arrogance doesn’t prevent you from having successful relationships, your nonconformity hasn’t made you a pariah,  and your skepticism hasn’t bred in you a nihilistic darkness.  You work happily in isolation but can also move into the world and have a life.  You have, in short, met the challenges posed so far.

Are you home free?  Unfortunately not.  The next challenges you face are as great as any posed so far.  They are the multiple challenges of doing the business of art:  making money, developing a career, acknowledging and making the most of your limited opportunities, living with compromise, dealing with mass taste and commercialism, negotiating the marketplace, and making personal sense of the mechanics and metaphysics of the business environment of art.

Many artists grow bitter in this difficult arena.  Many an artist flounders.  Only the rare artist sits himself down to examine these matters, for they are painful to consider.  But you have no choice but to examine them.  If you are an artist, you want an audience.  And if you want an audience, you must do business.

Comments are welcome!  

Eric Maisel in A Life in the Arts