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Pearls from artists* # 672
Posted by barbararachkoscoloreddust

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
Let me now, therefore, turn directly to the question of the European individual and, for a start, cite the observations of the Swiss psychologist, Carl G. Jung, throughout whose works the term “individuation” is used to indicate the psychological process of achieving individual wholeness. Jung makes the point that in the living of our lives every one is us is required by his society to play some specific social role. In order to function in the world we are all continually enacting parts Jung calls personnae, from the Latin persona, meaning “mask, false face,” the mask worn by an actor on the Roman stage, through which he “sounded” (per-sonare, “to sound through). One has to appear in some mask or other if one is to function socially at all; and even those who choose to reject such masks can only put on others, representing rejection, “Hell no!” or something of this sort. Many of the masks are playful, opportunistic, superficial; others, however, go deep, very deep, much deeper than we know. Just as every body consists of a head, two arms, a trunk, two legs, etc., so does every living person consist, among other features, of a personality, a deeply imprinted persona through which he is made known no less to himself than to others, and without which he would not be. It is silly, therefore, to say, for example, “Let’s take off our masks and be natural!” And yet – there are masks and masks. There are the masks of youth, the masks of age, the masks of the various social roles, and the masks also that we project upon others spontaneously, which obscure them, and to which we then react.
Joseph Campbell in Myths to Live By
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Posted in 2025, 2025, Bolivianos, Inspiration, Pearls from Artists, Quotes
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Pearls from artists* # 648
Posted by barbararachkoscoloreddust

“Apparition,” soft pastel on sandpaper, 58” x 38”
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
I prefer to speak in terms of the artist’s voice. Voice is deeper, manifested from the very core of your being. It is a synthesis of the experiences, intellectual concepts, and aesthetic interests you possess, executed in your distinctive way, in the formal, emotional, and intellectual language of your chosen medium. When successful, the realization of your voice follows a gestalt principle. The combination of your ideas and the work’s physical embodiment is greater than the sum of its parts and distinguishes your outcome from everyone else’s. If we wrote down a single concept and handed it to a dozen artists, we would get very different responses from each of them, and some works would be a stronger synthesis of ideas and execution. As Frank Stella once said, “There are no good ideas for paintings, there are only good paintings… the painting IS the idea (Saltz, 2020:42).”
The art that we recognize as having singular, identifying features, those formal aspects that allow us to immediately see a work as ‘a David Wojnarowicz’ or ‘a Julie Mehretu,’ were not the product of a singular flash of brilliance. These qualities evolved as part of a sustained, life-long, ever-deepening investigation to articulate their specific and singular vision. Our voice comes from tapping into the depths of our own consciousness, then distilling the most powerful aspects of that awareness. Voice also expands and deepens over time. It evolves along with the artist.
Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice
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Posted in 2025, 2025, Creative Process, Inspiration, Pearls from Artists, Quotes
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Pearls from artists* # 491
Posted by barbararachkoscoloreddust

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
We look at ancient Egyptian painting today and may find it slightly comic, but what the Egyptians were trying to do with the figure was reveal the various aspects of the person’s body in the most characteristic aspect. The face is in profile because that reveals the most about the person’s face, but the shoulders are not in profile, they’re facing the viewer, because that’s the most revealing angle for the shoulders. The hips are not in profile, but the feet are. It gives a strange, twisted effect, but it was natural to the Egyptians. They were painting essences, and in order to paint an essence you have to paint it from its most characteristic angle. So they would simply combine the various characteristic essences of the human body. This was a piece of spiritual art. It wasn’t trying to reproduce photographic reality, it was trying to reproduce and combine all the essential features of a person within one figure.
Walter Murch in The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje
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Posted in 2022, Art in general, Painting in General, Pearls from Artists, Quotes, Studio
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Tags: ancient, aspect, aspects, characteristic, combine, effect, Egyptian, essences, essentia, facing, features, figure, human body, Michael Ondaatje, natural, painting, person, person;s, photographic, profile, reality, reproduce, reveal, reveals, shoulders, slightly, spiritual, strange, Studio, trying, twisted, various, viewer, Walter Murch, work in progress
Q: What’s on the easel today?
Posted by barbararachkoscoloreddust
A: I continue to work on “Motley,” a large pastel-on-sandpaper painting that features two folk art pieces I found in Mexico City in March.
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Posted in 2014, An Artist's Life, Art Works in Progress, Black Paintings, Creative Process, Pastel Painting, Photography, Studio, Working methods
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Tags: "Motley", continue, easel, features, folk art, March, Mexico City, painting, pastel-on-sandpaper, pieces, progress, today, work
Q: What’s on the easel today?
Posted by barbararachkoscoloreddust
A: I am working on a pastel painting that features a mask I found in Todos Santos, Mexico on a recent trip there with friends. This is the first time I have so prominently featured a head without a body so I’m unsure whether the painting is coming together just yet. Fortunately it’s very early in the process so there is plenty of time to make adjustments.
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Posted in 2013, An Artist's Life, Art Works in Progress, Black Paintings, Creative Process, Mexico, New York, NY, Pastel Painting, Photography, Studio, Travel, Working methods
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Tags: adjustments, body, easel, featured, features, friends, head, hope, mask, Mexico, pastel-on-sandpaper painting, process, progress, prominently, time, today, Todos Santos, work

