Blog Archives

Start/Finish of “Motley,” 38″ x 58″ image, 50″ x 70″ framed

Beginning

Beginning

Completed

Completed

Comments are welcome!

Q: Is it possible to sum up your creative practice in seven words?

“Motley,” soft pastel on sandpaper, 38″ x 58″

A:  Steadily striving to become a better artist.  Of course, others determine how successful we have been in this regard.

Comments are welcome! 

Q: How do you achieve such richness of color in your pastel-on-sandpaper paintings?

"Motley," soft pastel on sandpaper, 38" x 58"

“Motley,” soft pastel on sandpaper, 38″ x 58″

 

A:  This results from the several months of studio time and many layers of soft pastel that go into creating each painting.  In a sense my technique is analogous to glazing done by the Old Masters.  They slowly built up layers of thin paint to achieve a high degree of finish.  Colors were not mixed physically, but optically.  I gradually build up layers of soft pastel, as many as 30, to create a pastel painting.  After a color is applied, I blend it with my fingers and push it into the sandpaper’s tooth.  It mixes with the color beneath to create a new color, continually adding richness, saturation, and intensity to the overall painting.

Comments are welcome!     

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue working on a large pastel painting called “Motley.”

Comments are welcome! 

Q: What’s on the easel today?

Work in progress

Work in progress

A:  I continue to work on “Motley,” a large pastel-on-sandpaper painting that features two folk art pieces I found in Mexico City in March.

Comments are welcome!