Category Archives: 2023

Pearls from artists* # 554

Explaining my work. Photo: David De Hannay

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

We’ve all taken advantage of the unlimited instant access that the wired world claims to provide. So it’s not surprising that many artists are reluctant to contemplate, much less accept, any self-imposed limitations. Painters and sculptors who remain in their studios grapple with the fundamentals and fine points of representation or abstraction – worrying about Renaissance theories of perspective or Klee’s or Kandinsky’s ideas about plane geometry – can be accused of having their heads in the sand. But there comes a time when certain questions must be asked. What are the artistic traditions that mean the most to you? What is your artistic heritage? Where do you stand?

Between Abstraction and Representation
by Jed Perl in The New York Review of Books, November 24, 2022

Comments are welcome!

Travel photo of the month*

*favorite travel photos that have not yet appeared in this blog

A caldera in Rapa Nui (Easter Island)

Comments are welcome!

Pearls from artists* # 553

Starting a new pastel painting

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

We think of the procrastinator as lazy and inactive, but procrastination is active. Not to get all psychological and heavy on you, but procrastination is actually “active avoidance.” I like the word active because it shows just how powerful your avoidance tendencies are.

It takes all kinds of forms – writer’s block and disorganization are two of the most common. I’ve known people who have mild forms of it, and I’ve known people who are absolutely crippled by it, who never accomplish what they set out to do.

… the most heavy-handed thing I can say is: If you procrastinate, you are only robbing yourself.

Anna Deavere Smith in Letters to a Young Artist: Straight-up Advice on Making a Living in the Arts – For Actors, Performers, Writers, and Artists of Every Kind

Comments are welcome!

Q: What’s on the easel today?

Just about finished!

A: I am putting finishing touches on “Shadow,” soft pastel on sandpaper, 26” x 20.”

Comments are welcome!

Pearls from artists* # 552

With “Impresario,” soft pastel on sandpaper, 70” x 50” framed
With “Impresario,” soft pastel on sandpaper, 70” x 50” framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

There is a sense in which any art that succeeds is like all other art that succeeds – at least if we believe that beauty, in its manifold forms, is ultimately one and the same thing. All enduring works of art are both coherent and complex, with forces and counterforces somehow united in a whole that’s more than the sum of its parts.

Between Abstraction and Representation by Jed Perl in The New York Review of Books, November 24, 2022

Comments are welcome!


Q: Would you share some of your favorite comments that fans and supporters have made about your work?

A: I have published favorite quotes on the website, but for anyone who has not read them, please see the above photo or https://barbararachko.art/en/

Comments are welcome!

Pearls from artists* # 551

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

A creative process is a philosophical search, shaped by matters of practice and procedure that extend from the first touch of the artist’s pencil, brush, or chisel to the final decisions about what constitutes completeness.

Stylistic particularism – the decision as to what kind of abstract or representational artist you’re going to be – shapes, deepens, and extends the artist’s imaginative powers. Most artists who work for many years see their style evolve, sometimes dramatically. In the 1930s and 1940s Giacometti, who had first been admired for Surrealist sculptures in which representational elements are set in essentially abstract structures, found himself increasingly focused on the direct observation of the human figure. What by the mid-1940s could look like a wholesale transformation of his artistic language was the result of individual decisions all of which, during Giacometti’s career of nearly five decades, interlocked. They reinforced one another. They added up.

Between Abstraction and Representation by Jed Perl in The New York Review of Books, November 24, 2022

Comments are welcome!

Q: Why do you sometimes depict the same subject matter twice?

“Trickster” (left) and “Sacrificial,” while the latter was in-progress

A: It is fascinating to play around with scale. For starters, it helps demonstrate how my pastel techniques and my approach to the subject matter are evolving. I’ve noticed that I always see and depict more details the second time around.

Typically, I prefer the second pastel painting over the first one depicting the same subject. Man Ray famously said:

There is no progress in art, any more than there is progress in making love. There are simply different ways of doing it.”

I disagree with him. I am an optimist who believes that artists cannot help but improve over time. It’s one of the things that gets me into my studio: the idea that my creative process and my ways of using pastel are changing for the better. I like to think this represents some sort of creative progress. But still I sometimes have to wonder, is the idea of ‘progress’ just something artists tell ourselves in order to keep going?

Comments are welcome!

Pearls from artists* # 550

In the studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Be more than ready. Be present in your discipline. Remember your gift. Be grateful for your gift and treat it like a gift. Cherish it, take care of it, and pass it on. Use your time to bathe yourself in that gift. Move your hand across the canvas. Go to museums. Make this into an obsession.

… what you are will show, ultimately. Start now, every day, becoming in your actions, your regular actions, what you would like to become in the bigger scheme of things.

Anna Deveare Smith in Letters to a Young Artist: Straight Up Advice on Making a Life in the Arts – For Actors, Performers, Writers, and Artists of Every Kind

Comments are welcome!

Travel photo of the month*

Exploring Orongo, Rapa Nui

*favorite travel photos that have not yet appeared in this blog

Comments are welcome!