Blog Archives

Pearls from artists* # 641

In the Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Artistic voice is the most critical aspect of creative practice, yet it is rarely taught…

Some schools teach ‘ideation’ (conceptualizing a work or series), but that is very different from cultivating an essential core that is uniquely your own. Ideation is a Band-Aid to get you through your next few projects, while voice is a consistent, profound, and idiosyncratic wellspring that you own. It is born of your singular fascinations, obsessions, and life experiences, both weighty and mundane. If you make the effort to build and consistently replenish it, this well will deepen, yielding creative riches over the course of your entire life. Cultivating visual voice needs to be a cornerstone of art education, not an afterthought.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

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Pearls from artists* #571

The Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

To put it simply, but accurately, artists are often lost to the world because of their obsessions with their art. They may be just as lost as they prepare to work or incubate a new idea as in those feverish days when they make their final cuts on a film or race toward a publishing deadline. They may obsess about artistic questions and feel bursts of creative energy day or night, alone or in the company of others, in the middle of the work week or on vacation in the Bahamas.

Lost in time and space, the artist may feel more connected to Picasso, Emily Dickinson, Ingmar Bergman, Gertrude Stein, Handel, or Tennessee Williams than to the people in his immediate world. The living past holds extraordinary meaning for him. He travels elsewhere, removing his spirit and attention from the present. He may reside, as he works on his novel, in the childhood of a character, walking the garden paths and living the household dramas there. He may come upon a Rembrandt drawing and find himself wrenched, not to any particular place or time, but just elsewhere, as he experiences the greatness of his traditions, measures himself anew, and dreams again of his future.

Eric Maisel in A Life in the Arts: Practical Guidance and Inspiration for Creative and Performing Artists

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Pearls from artists* # 538

Barbara’s Studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It’s ok if your work is fun for you, is what I’m saying. It’s also ok if your work is healing for you, or fascinating for you, or redemptive for you, or if it’s maybe just a hobby that keeps you from going crazy. It’s even ok if your work is totally frivolous. That’s allowed. It’s all allowed.

Your own reasons to create are reason enough. Merely by pursuing what you love, you may inadvertently end up helping us plenty. (“There is no love which does not become help,” taught the theologian Paul Tillich). Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart.

The rest of it will take care of itself.

Elizabeth Gilbert in Big Magic: Creative Living Beyond Fear

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Pearls from artists* # 207

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

More than in any other vocation, being an artist means always starting from nothing.  Our work as artists is courageous and scary.  There is no brief that comes along with it, no problem solving that’s given as a task… An artist’s work is almost entirely inquiry based and self-regulated.  It is a fragile process of teaching oneself to work alone, and focusing on how to hone your quirky creative obsessions so that they eventually become so oddly specific that they can only be your own.

 
“What It Really Takes to Be an Artist:  MacArthur Genius Teresita Fernandez’s Magnificent Commencement Address,” by Maria Popova in “brainpickings”

Comments are welcome!