Blog Archives

Pearls from artists* # 557

"Broken," soft pastel on sandpaper, 38" x 58" image, 50" x 70" framed
“Broken,” soft pastel on sandpaper, 38″ x 58″ image, 50″ x 70″ framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

It is true that art, while indebted to tradition, is usually at odds with it; art is about the thrill of mutiny. Young painters and sculptors are particularly unwilling to be hampered by the past, especially if that past is encased in the cement shoes of gender. But familiarity with tradition can be liberating for an artist because it provides a map illustrating the route other people have taken, which is especially valuable at the start of such a perilous journey. Male artists can inspire and instruct, surely. Artistic concerns are gender neutral. But there are social and personal issues a woman artist faces that cannot be found in the stories of men; these are the obstacles confronted and obstacles overcome. The poet Adrienne Rich wrote, “For spiritual values and a creative tradition to continue unbroken we need concrete artifacts, the work of hands, written words to read, images to look at, a dialogue with brave and imaginative women who came before us.It’s instructive as well as comforting to know how other women have managed and what other women have dared. It’s also gratifying to find in their stories an occasional energizing dose of inspiration.

Mary Gabriel in Ninth Street Women

Comments are welcome!

Pearls from artists* # 362

On the Indian Ocean in Tanah Lot, Bali

On the Indian Ocean in Tanah Lot, Bali

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

… if we look at the artifacts of all cultures, beauty always has attracted man’s attention.  We know when we are in its presence.  We’re held.  Different pieces of art will arrest different people, and… some pieces will arrest larger numbers of people for longer periods of time.  These are the works that are perhaps worthy of being called great art.  We have to recognize that some people today, observing the greatest works of art, or the most awesome works of nature – the Grand Canyon, for instance – give it a minute and then are ready for something else.  Insatiable for change, they are immune to deep resonance.

Art and beauty are about those resonances.  It isn’t the subject matter that holds us.  Some inexplicable reaction stops us, and we find ourselves connected with something other than ourself.  Perhaps our ‘Self’ might be a better term, to distinguish it from the self that is caught up in thoughts, worries, and distractions.  I like Ken Weber’s definition, that beauty “suspends the desire to be elsewhere.” In the face of great art, we experience transcendence.

Ian Roberts in Creative Authenticity:  16 Principles to Clarify and Deepen Your Artistic Vision

Comments are welcome!

Pearls from artists* # 335

Museum of Ethnography and Folklore, La Paz, Bolivia

Museum of Ethnography and Folklore, La Paz, Bolivia

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Federico Diez de Medina, a mask collector and archaeologist, offers a view  based on an analysis of many masks and other artifacts from the Tiwanaku area.  He suggests that the first masks were to exorcise evil spirits.  To be effective, they had to be frightening.

“On the other hand,” he imagines, “it was obligatory for the high dignitaries in the great Aymara empire – the apus, malkus and curacas – to wear masks… for pronouncing judgments and for rites associated with religious observance, death and war, as well as for the varied dances of the seasonal rituals and other festivities.  They also had to preside at sports events and decide the winners of numerous open air activities.”  Among these pursuits the author mentions the jaltiris (races), ch’akusiris (fist fights), khorawasiris (slingshot) and mich’isiris (shooting darts or arrows).      

Masks of the Altiplano by Manuel Vargas in Masks of the Bolivian Andes, Photographs:  Peter McFarren, Sixto Choque, Editorial Quipos and BancoMercantil

Comments are welcome!