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Pearls from artists # 19

View from the balcony

View from the balcony

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

What  one writes at twenty-one is a cry, does one think of a cry that it ought to have been cried differently?  The language is still so thin about one in these years, the cry pierces through and just takes along what is left clinging to it.  The development will always be this, that one makes one’s language fuller, thicker, firmer (heavier), and of course there is sense in that only for one who is sure that the the cry too is growing in him ceaselessly, irresistibly, so that later, under the pressure of countless atmospheres, it will issue evenly from every pore of the almost impenetrable medium…

Talent, you understand, scarcely has significance any more in our day, since a certain dexterity of expression has become general, where is it not?  Hence succeeding still means something only where the highest, utmost is achieved, and then one is again liable to think that just this unsurpassable something, once it appears in person, is in itself successful.

And so there is no real ground for concern, only that we want never to remain behind our heart and never to be in advance of it:  that is probably needful.  Thus we arrive at everything, each at what is his. 

Jane Bannard Greene and M.D. Herter Norton editors, Letters of Rainer Maria Rilke 1910 – 1926

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Pearls from artists* # 9

Lower Manhattan

Lower Manhattan

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

ART when really understood is the province of every human being. It is simply a question of doing things, anything, well.  It is not an outside, extra thing.

When the artist is alive in any person, whatever his kind of work may be, he becomes an inventive, searching, daring, self-expressing creature.  He disturbs, upsets, enlightens, and he opens ways for a better understanding.  Where those who are not artists are trying to close the book, he opens it, shows there are still more pages possible.

The world would stagnate without him, and the world would be beautiful with him; for he is interesting to himself and he is interesting to others.  He  does not have to be a painter or sculptor to be an artist.  He can work in any medium.  He simply has to find the gain in the work itself, not outside it.

Museums of art will not make a country an art country.  But where there is the art spirit there will be precious works to fill museums.  Better still, there will be the happiness that is in the making.  Art tends toward balance, order, judgment or relative values, the laws of growth, the economy of living – very good things for anyone to be interested in.

Robert Henri, The Art Spirit

Comments are welcome.