Blog Archives

Q: Do you have any big projects coming up?

With “Apparition,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed
With “Apparition,” soft pastel on sandpaper, 58” x 38” image, 70” x 50” framed

A: I certainly do! I have been a painter for forty years, and for most of that time, my work has been shaped by foreign travel. At seventy-two, I find myself thinking about legacy — what I want to leave behind. Documenting my creative process on film has become an essential part of this objective.

In the “Bolivianos” series, I have been creating pastel-on-sandpaper paintings that transform the vivid masks of the Bolivian Carnival into universal archetypes. I first encountered these masks at a museum in La Paz in 2017.

Circumstances have aligned perfectly for an exciting next step: another trip to Bolivia and a new documentary. Our upcoming film will be a follow-up to the award-winning “Barbara Rachko: True Grit” (released in 2023), marking a deeper exploration of my thirty-five-year engagement with folk art from Mexico, Central America, and South America.
(See https://youtu.be/JJWLy84kXI0?si=v7JHIq9ViYGgs76U)

In February 2026, I will return to Bolivia with a two-person film crew to experience Carnival firsthand — to immerse myself in its rhythm, history, and meaning. Recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity, this festival offers an extraordinary window into Bolivia’s cultural soul. 

Our film will chronicle my journey as essential research — a vital continuation of my creative inquiry over these past decades. With this trip and film, I hope to create my next body of pastel-on-sandpaper paintings, rich with color, spirit, and the enduring vitality of Oruro’s Carnival.

Comments are welcome!

Pearls from artists* # 552

With “Impresario,” soft pastel on sandpaper, 70” x 50” framed
With “Impresario,” soft pastel on sandpaper, 70” x 50” framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

There is a sense in which any art that succeeds is like all other art that succeeds – at least if we believe that beauty, in its manifold forms, is ultimately one and the same thing. All enduring works of art are both coherent and complex, with forces and counterforces somehow united in a whole that’s more than the sum of its parts.

Between Abstraction and Representation by Jed Perl in The New York Review of Books, November 24, 2022

Comments are welcome!


Pearls from artists* # 157

Barbara's studio

Barbara’s studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Only passion gives us a powerful emotion, a supreme strength and the enduring energy to fulfill our duty.  It provides a stimulus, giving us hope and courage as well as stamina.  The strength, love and joy passion gives us have no limitations.  They are what drive us to sacrifice everything in order to achieve that which our passion requires.  Passion is like a bribe from the gods, its great enthusiasm enticing us to do a particular work and to enjoy that more than anything else, without thought of the sacrifices and consequences.

Samuel Adoquei in Origin of Inspiration:  Seven Short Essays for Creative People 

Comments are welcome! 

Pearls from artists* # 143

"Intruder," soft pastel on sandpaper, 26" x 20"

“Intruder,” soft pastel on sandpaper, 26″ x 20″

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Artists and designers have the capacity to generate something from deep inside ourselves to live outside of ourselves.  By residing in the experiential and the physical, and by developing the “hands on” as a portal of intelligent learning, we confirm the mind as maker and making as a state of mindfulness.  We demonstrate how artists and designers are hosts for enduring creative discovery that is self-initiated and actively engaged.  In short, artists and designers manifest what has not existed previously – in many cases, what has never even been imagined.

Rosanne Somerson in The Art of Critical Making:  Rhode Island School of Design on Creative Practice, Rosanne Somerson and Mara L. Hermano, editors

Comments are welcome!