Category Archives: Working methods
Q: What’s on the easel today?
Work in progress
A: I’m beginning a new 26” x 20” pastel painting, which will be number eleven in the “Bolivianos” series.
Comments are welcome!
Pearls from artists* # 361
“The Champ,” soft pastel on sandpaper, 26″ x 20″
* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
It seems to me in the end, as far as expressing yourself is concerned, you just have to plunge in, fears and all. There is something courageous about it. If a person is too timid even to start, I’m not sure what it would take to get that person started.I;m not a big believer in books and courses that advocate going into creativity rituals and altar-making and mask-making in order to get unstuck and get started. Maybe that stuff works. I don’t know. It just seems like more strategies to avoid getting on with it.
Ian Roberts in Creative Authenticity: 16 Principles to Clarify and Deepen Your Artistic Vision
Comments are welcome!
Q: What’s on the easel today?
Work in progress
A: “Poseur,” Soft Pastel on Sandpaper, 58’ x 38” is awaiting finishing touches… at last!
Comments are welcome!
Q: What’s on the easel today?
Work in progress
A: I continue working on the latest in the “Bolivianos” series, “Poseur,” Soft Pastel on Sandpaper, 58” x 38.” I haven’t decided yet whether to put a pattern on the fabric.
Comments are welcome!
Q: Are you certain that the art materials you use are light- and color-fast?
“John,” Soft Pastel on Sandpaper, 22” x 26” (image), 1989.
A: Yes, I am. Recently I came into possession of a pastel portrait that I had not seen in thirty years. How fantastic to report that it looks exactly the same as in 1989 when I made It!
Comments are welcome!
Pearls from artists* # 351
Barbara at work on “The Orator”
*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.
That art is apolitical does not mean that artists themselves can be excused from the political responsibilities that fall on others. It means rather that as a manifestation of eternal psychic force, each work of art goes farther and deeper than the limited perspective of any individual mind, including that of its author.
No artist can predict how his work will affect the world… The artist invests his entire personality into the work, but he does so as a means of expressing a vision that is transpersonal. Everything that makes him what he is informs the work, but the final result transcends all personal contingencies.
J.F. Martel in Reclaiming Art in the Age of Artifice: A Treatise, Critique, and Call to Action
Comments are welcome!
Q: What’s on the easel today?
Works in progress
A: I have two large (38” x 58” and 58” x 38”) untitled pastel paintings in progress.
Comments are welcome!
Q: Do you have any ”dont’s” for artists that you swear by?
On my studio wall
A: I don’t remember where I found this list, but most artists probably need to be reminded once in awhile. I certainly do!
Comments are welcome!
Q: What’s on the easel today?
Work in progress
A: I continue slowly working on an untitled 38” x 58” pastel painting, number nine in the “Bolivianos” series. It still has a long way to go.
Comments are welcome!
Start/Finish of “Viceroy,” Soft Pastel on Sandpaper, 26” x 20”
Start: erased charcoal drawing
Finished
Comments are welcome!
barbararachkoscoloreddust.com 