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Pearls from artists* # 716

At the studio
At the studio

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on

… We are in the early stages of what I hope will be a revolution surrounding the way we view creative labor. I optimistically dream of a new model, crafted by the next generation of artists. Hopefully, they will not have to spend too many years chasing the old, late-stage capitalist one, as we did. We must cultivate a sense of our own value. As audiences, we willingly spend money for the experiences of books, plays, and other performances. It is not unusual to drop forty dollars on a mediocre movie and bad popcorn, or hundreds for a concert. Yet, we have tolerated a system where artists are not paid for putting their time, money, and very souls into the creation of inspiring, thought-provoking works. It is time to collectively channel creativity towards new paradigms, to provide us with a living wage, ensure that art history reflects all of us, and change the very status of art in our culture. Armed with the truth, technology, and ingenuity, we can forge a powerful future.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

Comments are welcome!

Pearls from artists* # 715

“Conundrum,” Soft Pastel on Sandpaper, 38” x 58” image, 50” x 70” framed
Conundrum,” Soft Pastel on Sandpaper, 38” x 58” image, 50” x 70” framed

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on

Whenever we must solve a big problem, such as the art/money challenge, it is worthwhile to look inward, to see where we may be complicit in perpetuating the problem. While artists are not always valued in our society, we also get what we settle for. Although we must eat and pay rent or mortgages like everyone else, non-artists often try to persuade us that we do not deserve to earn a living wage, because we enjoy our job. In the United States, we are often asked to work for free in a way that other professionals are not.

Consider trying to get an accountant to work ‘for the exposure.’ In many cases, artists go to college, even graduate school, to learn our profession. Many of us are still paying off student loans. We put in thousands of hours to develop our skills. We may win awards or grants that distinguish us from other artists. It is up to us to put a stop to the devaluation of our profession. Artists who agree to work for free, or for a pittance, are essentially strikebreakers on a picket line. As a group, we should be fighting in solidarity to raise standards of living and respect for our collective profession by refusing to work for less. When we agree to bad conditions, we devalue ourselves, and enable a dysfunctional system that perpetuates the exploitation of artists.

Kate Kretz in Art From Your Core: A Holistic Guide to Visual Voice

Comments are welcome!