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Pearls from artists* # 155

Works in progress

Works in progress

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Throughout these many years of painting I have practiced starting my work from reality stating the facts before me.  Then I paint without the object for a certain length of time, combining reality and imagination.

I have often obtained in painting directly from the object that which appears to be real results at the very first shot, but when that does happen, I purposely destroy what I have accomplished and re-do it over and over again.  In other words that which comes easily I distrust.  When I have condensed and simplified sufficiently I know that I have achieved more than reality.

Yasuo Kumiyoshi: East to West in The Creative Process, edited by Brewster Ghiselin

Comments are welcome!

Pearls from artists* # 59

Studio

Studio

* an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Friends sometimes ask, “Don’t you get lonely sitting by yourself all day?”  At first it seemed odd to hear myself say No.  Then I realized that I was not alone; I was in the book; I was with the characters.  I was with my Self.

Not only do I not feel alone with my characters; they are more vivid and interesting to me than the people in my real life.  If you think about it, the case can’t be otherwise.  In order for a book (or any project or enterprise) to hold our attention for the length of time it takes to unfold itself, it has to plug into some internal perplexity or passion that is of paramount importance to us.  The problem becomes the theme of our work, even if we can’t at the start understand or articulate it.  As the characters arise, each embodies infallibly an aspect of that dilemma, that perplexity.  These characters might not be interesting to anyone else but they’re absolutely fascinating to us.  They are us.  Meaner, smarter, sexier versions of ourselves.  It’s fun to be with them because they’re wrestling with the same issue that has its hooks into us.  They’re our soul mates, our lovers, our best friends.  Even the villains.  Especially the villains.  

Stephen Pressfield in The War of Art

Comments are welcome!   

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