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Pearls from artists* # 471

“Shamanic,” soft pastel on sandpaper, 26″ x 20″

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

Impresario Peter Sellars remarks how “Vermeer [spent] hours, days, and weeks painting a small corner of a small room in an act of ritualistically informed meditation that leads to new possibilities of awareness and love.” The time of making, Sellars adds, influences the time of viewing: “The act [of painting] itself opens up and refines consciousness by slowing down time as it focuses the eye.” Sellars’ language of ritual and meditation anticipates my purposes. He associates painting not only with materiality but also with spiritual practices – indeed, he yokes the two: “The act of painting has always been charged with shamanic energies. Using bits of animal bone, hair, and sinew, mixing them with earth, and applying them steadily and with great concentration to a cave wall, a parchment, or a human face is an act of calling and recalling.”

Arden Reed in Slow Art: The Experience of Looking, Sacred Images to James Turrell

Comments are welcome!

Pearls from artists* # 301

Untitled reference photo for a pastel painting in the “Bolivianos” series

Untitled reference photo for a pastel painting in the “Bolivianos” series

*an ongoing series of quotations – mostly from artists, to artists – that offers wisdom, inspiration, and advice for the sometimes lonely road we are on.

In 1917 the ballet impresario Sergei Diaghilev commissioned a new libretto from Jean Cocteau.  When the young poet asked for advice on how to proceed, Diaghilev replied with a simple directive:  “Astonish me.”  The phrase would serve Cocteau as a mantra throughout his career, resurfacing, for instance, at the beginning of his classic film Orpheus.  Not surprising, as few statements could better encapsulate the impetus that has driven artistic creation since the beginning.  Astonishment is the litmus test of art, the sign by which we know we have been magicked out of practical and utilitarian enterprises to confront the bottomless dream of life in sensible form.  Art astonishes and is born of astonishment.  There is only one thing that it can be said to “communicate” more effectively than other mediums can, and that is “the weirdness of the Real.”         

J.F. Martel in Reclaiming Art in the Age of Artifice:  A Treatise, Critique, and Call to Action 

Comments are welcome!

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